нУЁh$ 	x *я                   	  
                                               !  "  #  $  %  &  '  (  )  *  +  ,  -  .  /  0  1  2  3  4  5  6  7  8  9  :  ;  <  =  >  ?  @  A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  [  \  ]  ^  _  `  a  b  c  d  e  f  g  h  i  j  k  l  m  n  o  p  q  r  s  t  u  v  w  x  y  z  {  |  }  ~    ─  │  ┌  ┐  └  ┘  ├  ┤  ┬  ┴  ┼  ▀  ▄  █  	▌  	▐  	░  	▒  	▓  	⌠  
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⌡  °  ²  ·  ÷  ═  ║  ╒  ё  є  ╔  і  ї  ╗  ╘  ╙  ╚  ╛  ґ  ў  ╞  ╟  ╠  ╡  Ё  Є  ╣  І  Ї  ╦  ╧  ╨  ╩  ╪  Ґ  Ў  ©  ю  а  б  ц  д  е  ф  г  х  и  й  к  л  м  н  о  п      (c) OleksandrZhabenko 2020-2021MITolexandr543@yahoo.comExperimental None   
▀ "algorithmic-composition-additional▌Is used to represent a set of volumes in the dB scale for SoX "vol" effect. Usually, the zero value corresponds to the sound with volume 
 level equal by absolute value to 1.0 (the extremum one). So for most cases, its elements are negative numbers not less than (-120). "algorithmic-composition-additional:Returns the frequency for which its ratio with the second  яй  argument being under lg and being multiplied with 20 returns 
 the first  я  argument. For example, dBOmegaRatio 6 440 ~ 880 (actually, 877.9154185863069). "algorithmic-composition-additionalґConverts the absolute value of the argument to dB value compared to 1.0. Usually, is less than 0. The argument should not be equal to zero (0), 
 otherwise, it is equal to -Infinity. "algorithmic-composition-additionalжConverts the absolute value of the argument from dB value to amplitude with 0 equivalent to amplitude of 1.0 (or -1.0 for inverted sound). 
 Usually, is used for negative arguments (or at least not positive ones).  "algorithmic-composition-additionalConverts the  / of the absolute values of the argument to the  ╞ of dB values compared to 1.0. 
 Usually, its elements are less than 0. If some element in the argument is equal to zero (0), the corresponding resulting element is equal to -Infinity. "algorithmic-composition-additionalConverts the   of dB values to the  Ґ of the amplitudes with 0 being equivalent to amplitude of 1.0 (or -1.0 for inverted sound). 
 Usually, is used for negative elements of the first argument (or at least not positive ones).        (c) OleksandrZhabenko 2020-2021MITolexandr543@yahoo.comExperimental None  K	 "algorithmic-composition-additionalGeneratlized version of the   ( with a possibility to specify your own  р.
 "algorithmic-composition-additionalThe default way to get  р! from a converted Ukrainian text. "algorithmic-composition-additionalя The default way to get number of semi-tones between notes in a single element of  р. "algorithmic-composition-additionalArithmetic average for the  с  т% is used as a weight for a duration.  "algorithmic-composition-additionalGeometric average for the  с  т% is used as a weight for a strength.  "algorithmic-composition-additional у) accounting the desired average duration. "algorithmic-composition-additional ж) accounting the desired average strength. "algorithmic-composition-additional / accounting the desired average strength in dB. "algorithmic-composition-additional+Auxiliary function to make all lists in an  с  т# equal by length (the minimum one). "algorithmic-composition-additionalA full conversion to the  у from a Ukrainian text. The  в+ must be not empty Ukrainian text and
 the  я must be greater than 0.0. "algorithmic-composition-additionalA conversion to the  я that is used inside  . "algorithmic-composition-additionalA full conversion to the  ж from a Ukrainian text. "algorithmic-composition-additionalA conversion to the  я that is used inside  . "algorithmic-composition-additionalFor the given non-existing  ьД  for a sound file supported by SoX generates a silence of the specified
 duration and quality (see,  ы). "algorithmic-composition-additionalш After producing sounds as WAV or FLAC files you can apply to them volume adjustments using  ж. The first  в is used accordingly to 
  ы© and the second one -- as a prefix of the filenames for the files that the function is applied to. The files must not be silent ones. 
 Otherwise, it leads to likely noise sounding or errors. "algorithmic-composition-additionalVariant of the   where you use as a  жг  parameter that one obtained from a Ukrainian text provided as a first  в argument. 
 It uses  Г  inside. The files must not be the silent ones. Otherwise, it leads to likely noise sounding or errors. "algorithmic-composition-additionalVariant of the  Г  function which can be applied also to the silent files. Whether a file is silent is defined using the  яБ  argument 
 so that if the maximum by absolute value amplitude is less by absolute value than the  я' argument then the file is not changed. "algorithmic-composition-additionalVariant of the   where you use as a  жи  parameter that one obtained from a Ukrainian text provided as the first  в argument. 
 It uses  	 inside.   	
 
	      (c) OleksandrZhabenko 2020-2021MITolexandr543@yahoo.comExperimental None   в   !"#$% !"#$%      (c) OleksandrZhabenko 2020-2021MITolexandr543@yahoo.comExperimental None   R& "algorithmic-composition-additionalGets a function f::Float -> OvertonesO: that can be used further. Has two variants with usage of  з ( т0 argument is greater than 0)v
  and without it ( т* argument is less than 0). For both cases  в. must be in a form list of tuples of pairs of  я2 to get somewhat
 reasonable result. The function f0 can be shown using a special printing function  (ї. It is a simplest multiplicative (somewhat
 acoustically and musically reasonable) form for the function that can provide such a result that fits into the given data.╛let (y,f1) = fromJust (maybeFFromStrVec 1 3583.9783 "[(25.368,0.2486356),(37.259,0.6464867),(486.153,0.374618646),(789.563,0.463486461)]") in (y,f1 3583.9783)

(3520.0,[(25.829079975681818,0.2486356),(37.936206670369316,0.6464867),(494.9891484317899,0.374618646),(803.9138234326421,0.463486461)])

let (y,f1) = fromJust (maybeFFromStrVec (-1) 3583.9783 "[(25.368,0.2486356),(37.259,0.6464867),(486.153,0.374618646),(789.563,0.463486461)]") in (y,f1 3583.9783)

(3583.9783,[(25.368,0.2486356),(37.259,0.6464867),(486.153,0.374618646),(789.563,0.463486461)])' "algorithmic-composition-additional%Gets multiplication coefficients for f::Float -> [(Float,Float)]
 from the  & with the same arguments.( "algorithmic-composition-additionalExperimental  ш for f::Float -> [(Float,Float)]> that is used only for visualisation. It is correct only with  &3 or
 equivalent function. Because the shape of the f& is known the function can be defined.кshowFFromStrVec (-1) 440 "[(25.358,0.3598),(489.35,0.4588962),(795.35,0.6853)]"

"(440.00,(\t -> [(0.05763181818181818 * t, 0.3598),(1.112159090909091 * t, 0.4588962),(1.8076136363636364 * t, 0.6853)]))" &'(&'(      (c) OleksandrZhabenko 2020-2021MITolexandr543@yahoo.comExperimental None  P|$) "algorithmic-composition-additionalSimilar to overSoXSynth2DN but instead of  э% function, it uses volatile function f::Float -> [(Float, Float)]я  with
 somewhat sophisticated mechanism to normalize the resulting list elements (Float, Float)Ї. The last one is an experimental feature, so
 it is your responsibility to provide a function so that it does not lead to clipping. In such a case, the result of application of the
  щ to the  в parameter must not be [].  т< argument is an index of the element to be taken from 
 the    applied to the  вв  argument. To obtain compatible with versions prior to 0.20.0.0 behaviour, use for the  т 0.╡Be aware that the result can be rather unpredictable (the program can even obtain segmentation fault) for not very suitable function.
 But for a lot of functions this works well.э It is recommended to fully simplify the computation for "f" function before using it in the  ).* "algorithmic-composition-additional с  т of  яс  is a vector of dB volume adjustments for the corresponding harmonices (overtones).+ "algorithmic-composition-additionalSimilar to  *3, but additionally allows to specify by the second  ва  argument a quality changes to the generated files
 (please, see  ыи ). Since version 0.36.0.0 the function supports generation of the pauses., "algorithmic-composition-additionalSimilar to  +,, but additionally allows to specify by the  рр  argument to specify your own intervals. For more information, 
 please, refer to  	.. "algorithmic-composition-additionalGeneralized variant of the  , with afterwards  ч usage. / "algorithmic-composition-additionalA variant of the  .; where volume adjustment is obtained from a Ukrainian text.0 "algorithmic-composition-additionalUses additional  т4 parameters. The first one is a number of enka (see  ъ<). The second one defines, to which n-th elements set
 (see  ъ⌠) belongs the obtained higher notes in the intervals. To obtain reasonable results, please, use for the first one 2, 3, 4, 6, 9, or 12.
 The first  вД  parameter is used to produce durations of the notes. The second one is used to define intervals. A  яя  parameter is a
 basic sound duration, it defines tempo of the melody in general.1 "algorithmic-composition-additionalGeneralized variant of the  0 with your own specified  уё for the sounds and pauses. 
 Instead of using a Ukrainian text to specify a durations for the sounds (and a rhythm 
 respectively) you provide your own rhythm as  у└. Positive values correspond to durations of the sounds generated 
 and negative values -- to durations of the pauses respectively. 2 "algorithmic-composition-additionalSimilar to overSoXSynth2DN but instead of  э% function, it uses volatile function f::Float -> [(Float, Float)]я  with
 somewhat sophisticated mechanism to normalize the resulting list elements (Float, Float)Є. The last one is experimental feature, so
 it is your responsibility to provide a function so that it does not lead to clipping. In such a case, the result of application of the
  щ to the  вН  parameter must not be []. The function also tries to perform filtering to avoid possible beating.
 The third  я═ parameter in the tuple is used as a limit for frequencies difference in Hz to be filtered out from the resulting sound. It is
 considered to be from the range [0.1..10.0]. An  тЪ  parameter is used to define the needed interval. To obtain compatible with versions prior
 to 0.20.0.0 behaviour, use for the  т 0.╡Be aware that the result can be rather unpredictable (the program can even obtain segmentation fault) for not very suitable function.
 But for a lot of functions this works well.э It is recommended to fully simplify the computation for "f" function before using it in the  2.3 "algorithmic-composition-additional с  т of  яс  is a vector of dB volume adjustments for the corresponding harmonices (overtones).4 "algorithmic-composition-additionalGeneralized version of the  3п  with a possibility to specify sound quality parameters using additional second  в3
 argument. For more information, please, refer to  ы. 5 "algorithmic-composition-additionalGeneralized version of the  4( with a possibility to specify your own  р+. For more information, please, 
 refer to  	.7 "algorithmic-composition-additionalGeneralized variant of the  5 with afterwards apply6G usage. 8 "algorithmic-composition-additionalA variant of the  7; where volume adjustment is obtained from a Ukrainian text.9 "algorithmic-composition-additionalUses additional  т4 parameters. The first one is a number of enka (see  ъ<). The second one defines, to which n-th elements set
 (see  ъ⌠) belongs the obtained higher notes in the intervals. To obtain reasonable results, please, use for the first one 2, 3, 4, 6, 9, or 12.
 The first  вЛ  parameter is used to produce durations of the notes. The second one is used to define intervals. The first  яА parameter is a
 basic sound duration, it defines tempo of the melody in general. The second one is a limit for frequencies difference in Hz to be filtered out from the
 resulting sound. It is considered to be from the range [0.1..10.0].: "algorithmic-composition-additionalSimilar to  )е   with the additional volume adjustment in dB for overtones given by  с  т of  я√, but it does not make any normalizing transformations. To be used properly, it is needed
 that every second element in the tuple in the list argument must be in the range [-1.0..1.0] and every first element must be in between
 16.351597831287414 and 7902.132820097988 (Hz). An  тВ  parameter is used to define an interval. To obtain compatible with versions prior to
 0.20.0.0 behaviour, use for the  т 0.╡Be aware that the result can be rather unpredictable (the program can even obtain segmentation fault) for not very suitable function.
 But for a lot of functions this works well.э It is recommended to fully simplify the computation for "f" function before using it in the overSoXSynth2FDN_S.; "algorithmic-composition-additionalGeneralized version of the  :и  with a possibility to specify sound quality parameters using the second  в3 argument.
 For more information, please, refer to  ы.= "algorithmic-composition-additionalGeneralized version of the  ; where you specify your own  р+. For more information, please, refer 
 to  	.> "algorithmic-composition-additionalGeneralized variant of the  = with afterwards apply6Gф  usage. Arguments for the latter is the three last function arguments.? "algorithmic-composition-additionalA variant of the  >; where volume adjustment is obtained from a Ukrainian text.@ "algorithmic-composition-additionalSimilar to  0, but instead of  ) uses overSoXSynth2FDN_S function. Note that the first  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.A "algorithmic-composition-additionalGeneralized version of the  @▄ where instead of using a Ukrainian text to specify a durations for the sounds (and a rhythm 
 respectively) you provide your own rhythm as  у⌡. Positive values correspond to durations of the sounds generated 
 and negative values -- to durations of the pauses respectively. Please, use a function й h :: ((Float -> OvertonesO) -> (Float, Float) -> 
 Int -> String -> IO ())Ё such that it can create for the given values accorgingly sounds and pauses. Otherwise, please, check whether at 
 least it can deal with such arguments without errors. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.B "algorithmic-composition-additionalA variant of the  A2 where instead of providing your own durations as  у└ you use a Ukrainian text and 
 a function treats each symbol in it as a duration parameter with its sign. Positive values correspond to durations of the sounds generated 
 and negative values -- to durations of the pauses respectively. Please, use a function й h :: ((Float -> OvertonesO) -> (Float, Float) -> 
 Int -> String -> IO ())╗ such that it can create for the given values accorgingly sounds and pauses. Otherwise, please, check whether at 
 least it can deal with such arguments without errors.C "algorithmic-composition-additional6G generalized variant of the  A" with volume adjustments given by  ж. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.D "algorithmic-composition-additionalA variant of the  C where  ж( are obtained from a Ukrainian text and  .E "algorithmic-composition-additionalA variant of the  D where  ж3 are obtained from the same Ukrainian text as also  у so the last 
  въ  argument is omitted (it is equal to the first one). Helps to create a speech-like composition.F "algorithmic-composition-additionalGeneralized variant of the  @. with a possibility to specify with the third  в┤ argument sound quality parameters.
 Besides, the second from the end argument (a function) needs to be one more argument -- just also  в+. 
 For more information, please, refer to  ы. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.G "algorithmic-composition-additionalGeneralized variant of the overSoXSynth2FDN_Sf+ with a possibility to adjust volume using  Б.  с  т of  яо  is
 used to specify adjustments in dB. For more information, please, refer to  Б.H "algorithmic-composition-additionalGeneralized variant of the  G> with a possibility to specify sound quality using the second  в3 argument.
 For more information, please, refer to  ы.I "algorithmic-composition-additionalGeneralized variant of the overSoXSynth2FDN_Sf34 function with a possibility to adjust volume using adjust_dBVol.  с  т of  я)
 specifies the needed adjustments in dB.J "algorithmic-composition-additionalGeneralized variant of the  I> with a possibility to specify sound quality using the second  в4 parameter.
 For more information, please, refer to  ы.K "algorithmic-composition-additionalGeneralized variant of the  J with afterwards apply6G usage.L "algorithmic-composition-additionalA variant of the  K; where volume adjustment is obtained from a Ukrainian text.M "algorithmic-composition-additionalЦCan generate multiple notes with their respective overtones that are played simultaneously (e. g. it can be just one note with overtones,
 an interval with overtones, an accord with overtones etc.). This allows to get a rather complex or even complicated behaviour to obtain expressive
 and rich sound. It uses volume adjustment in dB given by the second [Float] for the overtones.N "algorithmic-composition-additionalSimilar to overSoXSynthGen2FDN_S, but instead of overSoXSynth2FDN_S uses overSoXSynth2FDN_Sf3 function. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.O "algorithmic-composition-additionalGeneralized variant of the ovorSoXSynthGen2FDN_Sf3G< with a possibility to specify sound quality with the third  вН  argument.
 Besides, the second from the end argument (a function) needs to be one more argument -- just also  в+. 
 For more information, please, refer to  ы. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n. ()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNO()209*3:GI+4;HFO@NM1AB,5=J./78>?KLCDE-6<      (c) OleksandrZhabenko 2020-2021MITolexandr543@yahoo.comExperimental None   _²P "algorithmic-composition-additional4Splits (with addition of the new overtones) a given  Ц into a number n (specified by the first  т argument) of  Цу  
 (represented finally as a list of them respectively) so that all except the first n∙ greatest by the absolute value of the amplitude 
 tuples of Floats are considered overtones for the greatest by the absolute value one in the given  Ц and all the next n - 1Б  
 are treated as the greatest by the absolute value and each of them produces the similar by the f :: Float -> OvertonesO function overtones.ЙIt is expected to obtain by such a conversion a splitted one sound into several simultaneous similar ones with different heights. 
 To provide a rich result, the given first argument must be strictly less than the length of the given  Ц minus one.Q "algorithmic-composition-additional4Splits (with addition of the new overtones) a given  Ц into a number of  Ц (represented finally as a  с  т÷ of them repsectively) 
 so that it intermediately uses a special function before applying the "similarization" splitting function. Is a generalization of the  P, 
 which can be considered a  Q. with a first command line argument equals to  Д.│It is expected to obtain by such a conversion a splitted one sound into several simultaneous similar (less or more, depending on h :: OvertonesO -> OvertonesO┤) 
 ones with different heights. To provide a rich result, the given first argument must be strictly less than the length of the given  Ц minus one.R "algorithmic-composition-additionalGeneralized variant of the  PБ  with the different splitting variants depending on the first two ASCII lower case letters in the  в
 argument.S "algorithmic-composition-additional'Auxiliary function that is used inside  R.T "algorithmic-composition-additional'Auxiliary function that is used inside  U.U "algorithmic-composition-additionalGeneralized variant of the  QБ  with the different splitting variants depending on the first two ASCII lower case letters in the  в
 argument.V "algorithmic-composition-additionalGeneralized variant of the  RЮ  with a possibility to specify a default value for splitting parameters as the first argument 
 (Int,Int,Int,Int)> and the sorted by the first element in the tuple (actually a  в3) in ascending order list (the second one). 
 Each  вц  in the list must be unique and consist of lowercase ASCII letters.W "algorithmic-composition-additionalVariant of the  V▐ applied to the unsorted second argument. It sorts it internally. If you specify the already sorted second argument 
 then it is better to use  V. Each  вц  in the list must be unique and consist of lowercase ASCII letters.X "algorithmic-composition-additionalGeneralized variant of the  UЮ  with a possibility to specify a default value for splitting parameters as the first argument 
 (Int,Int,Int,Int)> and the sorted by the first element in the tuple (actually a  в3) in ascending order list (the second one). 
 Each  вц  in the list must be unique and consist of lowercase ASCII letters.Y "algorithmic-composition-additionalVariant of the  X▐ applied to the unsorted second argument. It sorts it internally. If you specify the already sorted second argument 
 then it is better to use  X. Each  вц  in the list must be unique and consist of lowercase ASCII letters.Z "algorithmic-composition-additionalConcatenates a list of  Ц into a single  Ц. Can be easily used with  P. PQRSTUVWXYZPQZSTRUVWXY      (c) OleksandrZhabenko 2020-2021MITolexandr543@yahoo.comExperimental None   cэ[ "algorithmic-composition-additionalе Returns an analogous note in the higher octave (its frequency in Hz).\ "algorithmic-composition-additionalд Returns an analogous note in the lower octave (its frequency in Hz).] "algorithmic-composition-additionalЭ Function lifts the given frequency to the given number of the octave (in American notation, from 0 to 8). This number is an  т╗ parameter.
 The function also takes into account the lower pure quint for the closest note.
 If it is not practical to determine the number, then the function returns  Е.^ "algorithmic-composition-additionalFunction lifts the list of  я7 representing frequencies to the given octave with the  тЭ number. Better to use numbers in the range [1..8].
 The function also takes into account the lower pure quint for the obtained note behaviour. If it is not practical to determine the octave, the resulting
 frequency is omitted from the resulting list. [\]^[\]^      (c) OleksandrZhabenko 2020-2021MITolexandr543@yahoo.comExperimental None  є▌._ "algorithmic-composition-additionalєFor the given frequency of the note and a Ukrainian text it generates a list of the tuples, each one of which contains
 the harmonics' frequency and amplitude. The  в9 is used to produce the signs for harmonics coefficients.` "algorithmic-composition-additionalSimilar to  ФИ  except that takes not necessarily pure lower quint note as the second one, but the one specified by the  в parameter
 as an argument to  Г. If you begin the  в  with space characters, or "ал", or "фл", or dash, or apostrophe, or soft sign, than there will
 be no interval and the sound will be solely one with its  Ц.a "algorithmic-composition-additionalSimilar to  `? except that the resulting duration is specified by the second  я parameter in seconds. For  `
 it is equal to 0.5.b "algorithmic-composition-additionalФFor the given frequency it generates a musical sound with a timbre. The main component of the sound includes the lower pure quint,
 which can be in the same octave or in the one with the number lower by one. Please, check before executing
 whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.
 The  вн  argument is used to define signs of the harmonics coefficients for Overtones.c "algorithmic-composition-additional5Function to create a melody for the given arguments.  вЄ is used to provide a rhythm. The main component of the sound includes the lower pure quint, which
 can be in the same octave or in the one with the number lower by one. The first  я▄ argument from the range [0.01..1.0] is used as a maximum amplitude
 for Overtones. If it is set to 1.0 the overTones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results
 in their becoming more silent ones. The second  яж argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing
 whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.d "algorithmic-composition-additional5Function to create a melody for the given arguments.  у is used to provide a rhythm. e "algorithmic-composition-additionalVariant of the  d where  у are obtained from the  в using  7 function. Helps to create a speech-like 
 composition.f "algorithmic-composition-additional5Function to create a melody for the given arguments.  вЄ is used to provide a rhythm. The main component of the sound includes the lower pure quint, which
 can be in the same octave or in the one with the number lower by one. The first  я▄ argument from the range [0.01..1.0] is used as a maximum amplitude
 for Overtones. If it is set to 1.0 the overTones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results
 in their becoming more silent ones. The second  яж argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing
 whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.g "algorithmic-composition-additional5Function to create a melody for the given arguments.  у is used to provide a rhythm. h "algorithmic-composition-additionalVariant of the  g where  у are obtained from the  в using  7 function. Helps to create a speech-like 
 composition.i "algorithmic-composition-additional5Function to create a melody for the given arguments.  вЄ is used to provide a rhythm. The main component of the sound includes the lower pure quint, which
 can be in the same octave or in the one with the number lower by one. The first  я▄ argument from the range [0.01..1.0] is used as a maximum amplitude
 for Overtones. If it is set to 1.0 the overTones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results
 in their becoming more silent ones. The second  яБ argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing
 whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.
 The third  вк  argument is used to define the intervals for the notes if any.
 The third  я╞ parameter basically is used to define in how many times the volume for the second lower note is less than the volume of
 the main note. If it is rather great, it can signal that the volume for the second note overTones are greater than for the main note obetones.
 The last one is experimental feature.j "algorithmic-composition-additional5Function to create a melody for the given arguments. 	Duraitons is used to provide a rhythm. k "algorithmic-composition-additionalGeneralized variant of the  j where you specify your own  р). For more information, please, refer to  	.l "algorithmic-composition-additionalVariant of the  j where  у are obtained from the  в using  7 function. Helps to create a speech-like 
 composition.m "algorithmic-composition-additionalVariant of the  j- where intervals are obtained from the basic  рн  with the length no more than 29 and a Ukrainian text 
 specified as the last  в" argument so that you can produce  рц  of the arbitrary length. For more information, please, refer to 
  	 and  Х.n "algorithmic-composition-additionalSimilar to  cє, but uses a sound file to obtain the information analogous to list in the latter one. Besides, the function lifts
 the frequencies to the octave with the given by  тц  parameter number (better to use from the range [1..8]). The first  я┴ argument from
 the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just maximum ones,
 otherwise they are multiplied by the parameter and this results in their becoming more silent ones.
 The second  яД argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing
 whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.For better usage the  ь( should be a filepath for the .wav file.o "algorithmic-composition-additionalSimilar to  n, but uses additional second  т8 parameter. It defines, to which n-th elements set (see  ъ├) belongs the obtained
 higher notes in the intervals. If that parameter equals to 12, then the function is practically equivalent to  n=. To obtain
 its modifications, please, use 2, 3, 4, 6, or 9.p "algorithmic-composition-additionalGeneralized version of the  o where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.q "algorithmic-composition-additionalVariant of the  s where  у are obtained from the  в using  7 function. Helps to create a speech-like 
 composition.r "algorithmic-composition-additionalGeneralized version of the  q where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.s "algorithmic-composition-additional4G genaralized version of the  o where you provide your own  у.t "algorithmic-composition-additionalGeneralized version of the  s where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.u "algorithmic-composition-additionalSimilar to  fє, but uses a sound file to obtain the information analogous to list in the latter one. Besides, the function lifts
 the frequencies to the octave with the given by  тц  parameter number (better to use from the range [1..8]). The first  я┴ argument from
 the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just maximum ones,
 otherwise they are multiplied by the parameter and this results in their becoming more silent ones.
 The second  яД argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing
 whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.For better usage the  ь5 should be a filepath for the .wav file.
 The second  вь  argument is used to define signs of the harmonics coefficients in the generated sounds.v "algorithmic-composition-additionalSimilar to  u, but uses additional second  т8 parameter. It defines, to which n-th elements set (see  ъ├) belongs the obtained
 higher notes in the intervals. If that parameter equals to 12, then the function is practically equivalent to  u=. To obtain
 its modifications, please, use 2, 3, 4, 6, or 9.w "algorithmic-composition-additionalGeneralized version of the  v where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.x "algorithmic-composition-additionalVariant of the  z where  у are obtained from the  в using  7 function. Helps to create a speech-like 
 composition.y "algorithmic-composition-additionalGeneralized version of the  x where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.z "algorithmic-composition-additional4G genaralized version of the  v where you provide your own  у.{ "algorithmic-composition-additionalGeneralized version of the  z where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.| "algorithmic-composition-additionalSimilar to  fє, but uses a sound file to obtain the information analogous to list in the latter one. Besides, the function lifts
 the frequencies to the octave with the given by  тц  parameter number (better to use from the range [1..8]). The first  я┴ argument from
 the range [0.01..1.0] is used as a maximum amplitude for overtones. If it is set to 1.0 the overTones amplitudes are just maximum ones,
 otherwise they are multiplied by the parameter and this results in their becoming more silent ones.
 The second  яД argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing
 whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.For better usage the  ь5 should be a filepath for the .wav file.
 The second  вД  argument is used to define signs of the harmonics coefficients in the generated sounds.
 The third  вк  argument is used to define the intervals for the notes if any.
 The third  я╞ parameter basically is used to define in how many times the volume for the second lower note is less than the volume of
 the main note. If it is rather great, it can signal that the volume for the second note overTones are greater than for the main note obetones.
 The last one is experimental feature.} "algorithmic-composition-additionalSimilar to  |, but uses additional second  т8 parameter. It defines, to which n-th elements set (see  ъ├) belongs the obtained
 higher notes in the intervals. If that parameter equals to 12, then the function is practically equivalent to  |=. To obtain
 its modifications, please, use 2, 3, 4, 6, or 9.~ "algorithmic-composition-additionalGeneralized version of the  } where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К. "algorithmic-composition-additionalVariant of the  │ where  у are obtained from the  в using  б  function. Helps to create a speech-like 
 composition. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.─ "algorithmic-composition-additionalGeneralized version of the   where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.│ "algorithmic-composition-additional4G generalized function for  } where you provide your own  у. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.┌ "algorithmic-composition-additionalGeneralized version of the  │ where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.┐ "algorithmic-composition-additional5G generalized function for  │ where you provide your own  р. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.└ "algorithmic-composition-additionalGeneralized version of the  ┐ where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.┘ "algorithmic-composition-additionalVariant of the  ┐ where  р are obtained from the basic  рн  with the length no more than 29 and a Ukrainian text 
 specified as the last  в" argument so that you can produce  рц  of the arbitrary length. For more information, please, refer to 
  	 and  Х. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.├ "algorithmic-composition-additionalGeneralized version of the  ┘ where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.┤ "algorithmic-composition-additional6G generalized function for  ┐ where you provide your own  ж. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.┬ "algorithmic-composition-additionalGeneralized version of the  ┤ where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.┴ "algorithmic-composition-additionalA variant of  ┤ where  ж: are obtained from a Ukrainian text specified as the last  в argument. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.┼ "algorithmic-composition-additionalGeneralized version of the  ┴ where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.▀ "algorithmic-composition-additionalA variant of  ┴ where  ж and  уц  are obtained from the same Ukrainian text specified as 
 the last  в argument. The third  яг  argument is an average duration of the sounds in seconds. 
 Note that  т arguments are used by  Ю in that order so it returns a  Аг  number (actually frequency) for 
 the n-th elements set of notes (see  ъ). The second  т parameter defines that n.▄ "algorithmic-composition-additionalGeneralized version of the  ▀ where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К. ._`abcdefghijklmnopqrstuvwxyz{|}~─│┌┐└┘├┤┬┴┼▀▄.c_bfi`anu|ov}dgjsz│ehlqxk┐m┘┤┴▀prtwy{~─┌└├┬┼▄    	  (c) OleksandrZhabenko 2020-2021MITolexandr543@yahoo.comExperimental Safe-Inferred   ╗Ї▐ "algorithmic-composition-additional┬Predicate to check whether a list does not contain round parentheses or dash (a minus sign) as its elements. Is used internally in the
  ▓0 function to avoid lists with negative elements.░ "algorithmic-composition-additionalNotification. Uses an  тх  limitation to avoid infinite lists. All arguments must be not negative.▒ "algorithmic-composition-additionalй From the 0.19.0.0 version. Can be used to parse also into infinite lists. ▓ "algorithmic-composition-additional	Parses a  вР  being a list of Ints written with Haskell rules, e. g. "[1..]", "[2,4..45]", "[3,5,6,7,8,3]" etc. into a list of  тщ .
 If it is not possible or list is empty, returns []. Preceding whitespaces are ignored. An  т9 argument is used as a delimiter to avoid infinite lists. █▌▐░▒▓█▌▐░▒▓    
  (c) OleksandrZhabenko 2020-2021MITolexandr543@yahoo.comExperimental None   ╙N⌠ "algorithmic-composition-additionalш Function records and processes the sound data needed to generate the "end.wav" file in the 	dobutokO2└ function. Please, check before executing
 whether there is no "x.wav" file in the current directory, because it can be overwritten. ⌠■∙√≈≤≥ ⌠■∙√≈≤≥       (c) OleksandrZhabenko 2020-2021MITolexandr543@yahoo.comExperimental None  Эe0⌡ "algorithmic-composition-additional⌡For the given frequency of the note it generates a list of the tuples, each one of which contains the harmonics' frequency and amplitude. For every given
  в8 structure of the uniqueness (see the documentation for ukrainian-phonetics-basic-array and uniqueness-periods< packages) it produces the unique timbre.
 Partial function.° "algorithmic-composition-additional║For the given frequency of the note it generates a list of the tuples, each one of which contains the harmonics' frequency and amplitude. For every given
 first  ва  argument structure of the uniqueness (see the documentation for ukrainian-phonetics-basic-array and uniqueness-periods6 packages) it produces the unique timbre.
 The second  вл  is used to produce the signs for harmonics coefficients.
 Partial function.² "algorithmic-composition-additional≈For the given frequency and a Ukrainian text it generates a musical sound with the timbre obtained from the Ukrainian text (see the
 documentation for ukrainian-phonetics-basic-arrayі package). The timbre for another given text usually differs, but can be the same. The last one is only
 if the uniqueness structure and length are the same for both  в≥. Otherwise, they differs. This gives an opportunity to practically
 and quickly synthesize differently sounding intervals. The main component of the sound includes the lower pure quint, which can be in
 the same octave or in the one with the number lower by one. Please, check before executing 
 whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.· "algorithmic-composition-additional≈For the given frequency and a Ukrainian text it generates a musical sound with the timbre obtained from the Ukrainian text (see the
 documentation for ukrainian-phonetics-basic-arrayі package). The timbre for another given text usually differs, but can be the same. The last one is only
 if the uniqueness structure and length are the same for both  ві. Otherwise, they differs. This gives an opportunity to practically
 and quickly synthesize differently sounding intervals. The main component of the sound includes the lower pure quint, which can be in
 the same octave or in the one with the number lower by one. Please, check before executing 
 whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.
 The second  во  argument is used to define signs for the harmonics coefficients for Overtones.÷ "algorithmic-composition-additional?Function to create a melody for the given arguments. The first  вЫ is used to provide a rhythm. The second one -- to provide a timbre.
 The timbre for another given text usually differs, but can be the same. This gives an opportunity to practically and quickly
 synthesize differently sounding intervals. The first  ял argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones.
 If it is set to 1.0 the overTones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in
 their becoming more silent ones. The main component of the sound is in the given octave with a number given
 by  т╟ parameter. Besides, another main component of the sound includes the lower pure quint, which can be in the same octave or in the one with
 the number lower by one. The second  яж argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing
 whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.═ "algorithmic-composition-additionalVariant of the  ║ function where  у are obtained from the  в using  7 function. Helps to create a speech-like 
 composition.║ "algorithmic-composition-additional4G generalized variant of the  ÷ where you specify your own  у.╒ "algorithmic-composition-additional?Function to create a melody for the given arguments. The first  вЫ is used to provide a rhythm. The second one -- to provide a timbre.
 The timbre for another given text usually differs, but can be the same. This gives an opportunity to practically and quickly
 synthesize differently sounding intervals. The first  ял argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones.
 If it is set to 1.0 the overTones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in
 their becoming more silent ones. The main component of the sound is in the given octave with a number given
 by  т╟ parameter. Besides, another main component of the sound includes the lower pure quint, which can be in the same octave or in the one with
 the number lower by one. The second  яБ argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing
 whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.
 The third  вь  argument is used to define signs of the harmonics coefficients in the generated sounds.ё "algorithmic-composition-additionalVariant of the  є where  у are obtained from the  в using  7 function. Helps to create a speech-like 
 composition.є "algorithmic-composition-additional4G generalized variant of the  ╒ where you specify your own  у. ╔ "algorithmic-composition-additional?Function to create a melody for the given arguments. The first  вЫ is used to provide a rhythm. The second one -- to provide a timbre.
 The timbre for another given text usually differs, but can be the same. This gives an opportunity to practically and quickly
 synthesize differently sounding intervals. The first  ял argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones.
 If it is set to 1.0 the overTones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in
 their becoming more silent ones. The main component of the sound is in the given octave with a number given
 by  т╟ parameter. Besides, another main component of the sound includes the lower pure quint, which can be in the same octave or in the one with
 the number lower by one. The second  яБ argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing
 whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.
 The third  вЕ  argument is used to define signs of the harmonics coefficients in the generated sounds.
 The fourth  вк  argument is used to define the intervals for the notes if any.
 The third  я╞ parameter basically is used to define in how many times the volume for the second lower note is less than the volume of
 the main note. If it is rather great, it can signal that the volume for the second note overTones are greater than for the main note obetones.
 The last one is experimental feature.і "algorithmic-composition-additionalVariant of the  ї where  у are obtained from the  в using  7 function. Helps to create a speech-like 
 composition.ї "algorithmic-composition-additional4G generalized variant of the  ╔ where you specify your own  у. ╗ "algorithmic-composition-additional5G generalized variant of the  ї where you specify your own  р. ╘ "algorithmic-composition-additionalVariant of the  ╗ where  р are obtained from the  в using  	7 function. Helps to create a speech-like 
 composition.╙ "algorithmic-composition-additionalVariant of the  Л where  ж are obtained from the  в using  7 function. Helps to create a speech-like 
 composition.╚ "algorithmic-composition-additionalA variant of  ╙ where  ж and  уц  are obtained from the same Ukrainian text specified as 
 the last  в argument. The second  яг  argument is an average duration of the sounds in seconds. 
 Note that  т arguments are used by  Ю in that order so it returns a  Аг  number (actually frequency) for 
 the n-th elements set of notes (see  ъ). The second  т parameter defines that n.╛ "algorithmic-composition-additionalSimilar to  ÷?, but uses a sound file to obtain the information analogous to  с  тБ  in the latter one. 
 Besides, the function lifts the frequencies to the octave with the given by  тд  parameter number (better to use from the range [1..8]).
 The first  я▄ argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the
 overTones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones.
 The second  яД argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing
 whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.For better usage the  ь( should be a filepath for the .wav file.ґ "algorithmic-composition-additionalSimilar to  ╛, but uses additional second  т8 parameter. It defines, to which n-th elements set (see  ъ├) belongs the obtained
 higher notes in the intervals. If that parameter equals to 12, then the function is practically equivalent to  ╛х . To obtain
 its modifications, please, use 2, 3, 4, 6, or 9. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.ў "algorithmic-composition-additionalGeneralized version of the  ґ where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.╞ "algorithmic-composition-additionalVariant of the  ╠ where  у are obtained from the  в using  б  function. Helps to create a speech-like 
 composition. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.╟ "algorithmic-composition-additionalGeneralized version of the  ╞ where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.╠ "algorithmic-composition-additional4G genaralized version of the  ґ where you provide your own  у. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.╡ "algorithmic-composition-additionalGeneralized version of the  ╠ where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.Ё "algorithmic-composition-additionalSimilar to  ÷?, but uses a sound file to obtain the information analogous to  с  тБ  in the latter one. 
 Besides, the function lifts the frequencies to the octave with the given by  тд  parameter number (better to use from the range [1..8]).
 The first  я▄ argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the
 overTones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones.
 The second  яД argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing
 whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.For better usage the  ь4 should be a filepath for the .wav file.
 The third  вь  argument is used to define signs of the harmonics coefficients in the generated sounds.Є "algorithmic-composition-additionalSimilar to  Ё, but uses additional second  т8 parameter. It defines, to which n-th elements set (see  ъ├) belongs the obtained
 higher notes in the intervals. If that parameter equals to 12, then the function is practically equivalent to  Ёх . To obtain
 its modifications, please, use 2, 3, 4, 6, or 9. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.╣ "algorithmic-composition-additionalGeneralized version of the  Є where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.І "algorithmic-composition-additionalVariant of the  ╦ where  у are obtained from the  в using  б  function. Helps to create a speech-like 
 composition. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.Ї "algorithmic-composition-additionalGeneralized version of the  І where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.╦ "algorithmic-composition-additional4G genaralized version of the  Є where you provide your own  у. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.╧ "algorithmic-composition-additionalGeneralized version of the  ╦ where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.╨ "algorithmic-composition-additionalSimilar to  ÷?, but uses a sound file to obtain the information analogous to  с  тБ  in the latter one. 
 Besides, the function lifts the frequencies to the octave with the given by  тд  parameter number (better to use from the range [1..8]).
 The first  я▄ argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the
 overTones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones.
 The second  яД argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing
 whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.For better usage the  ь4 should be a filepath for the .wav file.
 The third  вЕ  argument is used to define signs of the harmonics coefficients in the generated sounds.
 The fourth  вк  argument is used to define the intervals for the notes if any.
 The third  я╡ parameter basically is used to define in how many times the volume for the second lower note is less than the volume of
 the main note. If it is rather great, it can signal that the volume for the second note overTones are greater than for the main note obetones.
 The last one is an experimental feature.╩ "algorithmic-composition-additionalSimilar to  ╨, but uses additional second  т8 parameter. It defines, to which n-th elements set (see  ъ├) belongs the obtained
 higher notes in the intervals. If that parameter equals to 12, then the function is practically equivalent to  ╨х . To obtain
 its modifications, please, use 2, 3, 4, 6, or 9. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.╪ "algorithmic-composition-additionalGeneralized version of the  ╩ where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.Ґ "algorithmic-composition-additionalVariant of the  © where  у are obtained from the  в using  б  function. Helps to create a speech-like 
 composition. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.Ў "algorithmic-composition-additionalGeneralized version of the  Ґ where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.© "algorithmic-composition-additional4G genaralized version of the  ╩ where you provide your own  у. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.ю "algorithmic-composition-additionalGeneralized version of the  © where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.а "algorithmic-composition-additional5G genaralized version of the  ╩ where you provide your own  у and  р. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.б "algorithmic-composition-additionalGeneralized version of the  а where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.ц "algorithmic-composition-additionalVariant of the  а where  р are obtained from the  в using  	б  function. Helps to create a speech-like 
 composition. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.д "algorithmic-composition-additionalGeneralized version of the  ц where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.е "algorithmic-composition-additional6G generalized function for  а where you provide your own  ж. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.ф "algorithmic-composition-additionalGeneralized version of the  е where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.г "algorithmic-composition-additionalA variant of  е where  ж: are obtained from a Ukrainian text specified as the last  в argument. Note that  т arguments are used by  Ю! in that order so it 
 returns a  Ае  number (actually frequency) for the n-th elements set of notes (see  ъ). The second  т parameter defines that n.х "algorithmic-composition-additionalGeneralized version of the  г where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К.и "algorithmic-composition-additionalA variant of  г where  ж and  уц  are obtained from the same Ukrainian text specified as 
 the last  в argument. The second  яг  argument is an average duration of the sounds in seconds. 
 Note that  т arguments are used by  Ю in that order so it returns a  Аг  number (actually frequency) for 
 the n-th elements set of notes (see  ъ). The second  т parameter defines that n.й "algorithmic-composition-additionalGeneralized version of the  и where instead of lifting with  И  Йы  is used. It allows e. g. to 
 use some tonality. For more information, please, refer to  К. 0⌡°²·÷═║╒ёє╔ії╗╘╙╚╛ґў╞╟╠╡ЁЄ╣ІЇ╦╧╨╩╪ҐЎ©юабцдефгхий0⌡²÷°·╒╔╛Ё╨ґЄ╩║єї╠╦©═ёі╞ІҐ╗а╘це╙╚гиў╟╡╣Ї╧╪Ўюбдфхй     (c) OleksandrZhabenko 2020-2021MITolexandr543@yahoo.comExperimental NoneЮ  ╞к "algorithmic-composition-additional/Function that actually makes processing in the 	dobutokO2ы executable. Please, check before executing
 whether there is no "x.wav", "test*", "result*" and "end*" files in the current directory, because they can be overwritten. Since 0.44.0.0 the behaviour for "7" as option ( н)) changed. Now, it does not reduce noise.л "algorithmic-composition-additionalActually works as  М
 function.м "algorithmic-composition-additionalActually works as  Н
 function.н "algorithmic-composition-additional·Used to obtain one multiline specially formatted textual input and do the full processment for the sound. 
 The function generates overtones using additional  в┤ and allows maximum control over the parameters.
 Besides, all the needed information it obtains from the singular formatted input, which can be ended
 with a keyboard keys combination that means an end of input (e. g. for Unices, that is probably Ctrl + D).
 '@' are separators for the input parts for their respective parts. For more information about the
 format of the single input, see:'ц https://drive.google.com/open?id=10Z_GRZR4TKoL5KXfqPm-t-4humuHN0O4' ОThe file is also provided with the package as text.dat.txt. 
 The last two or three inputs (an input just here means a textual input between two '@') can be omitted,
 the program will work also but with less control for the user possible. о "algorithmic-composition-additional8Takes textual input from the stdin and prints it as one  в to the stdout. клмнокнлмо      (c) OleksandrZhabenko 2020MITolexandr543@yahoo.comExperimental None  "  пп  О                                             !   "   #   $   %   &   '   (   )   *   +   ,   -   .   /   0   1   2   3   4   5   6   7   8   9   :   ;   <   =   >   ?   @   A   B   C   D   E   F   G   H   I   J   K   L   M   N   O   P   Q   R   S   T   U   V   W   X   Y   Z   [   \   ]   ^   _   `   a   b   c   d   e   f   g   h   i   j   k   l   m   n   o   p   q   r   s   t   u   v   w   x   y   z   {   |   }   ~      ─   │   ┌   ┐   └   ┘   ├   ┤   ┬   ┴   ┼   ▀   ▄   █   ▌   ▐   ░   ▒   ▓   ⌠   ■   ∙   √   ≈   ≤   ≥       ⌡   °   ²   ·  	 ÷  	 ═  	 ║  	 ╒  	 ё  	 є  
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 ╛   ґ   ў   ╞   ╟   ╠   ╡   Ё   Є   ╣   І   Ї   ╦   ╧   ╨   ╩   ╪   Ґ   Ў   ©   ю   а   б   ц   д   е   ф   г   х   и   й   к   л   м   н   о   п   я   р   с   т   у   ж   в   ь   ы   з   ш   э   щ   ч   ъ   Ю   А   Б ЦДЕ Ф ГХИ ЦДЙ К Л ГМН ГОП Я Р С Т ГУ Ж С В ЬЫ З  Ш С Э С Щ ГЧЪ С ─ С│ ГМ ┌ ГЧ┐ С └ С ┘  ├ С ┤  ┬  ┴   ┼ Я ▀ Я ▄█а algorithmic-composition-additional-0.2.0.0-HD4FVMbYky2Lyc2tZLmDdFComposition.Sound.DIS5G6GComposition.Sound.FunctionalComposition.Sound.DecibelComposition.Sound.ExtendedComposition.Sound.FunctionF"Composition.Sound.Functional.SplitComposition.Sound.OctavesComposition.Sound.OvertonesComposition.Sound.ParseListComposition.Sound.ProcessComposition.Sound.UniqComposition.Sound.ExecutableMainVVector<algorithmic-composition-basic-0.6.0.0-HidYTNb3Vh78iWMyHGtkVS#Composition.Sound.Functional.ParamsintervalsFromStringoverSoXSynth2FDN_Sf32GsyllableStrStrengthsDbdBOmegaRatiostrength2dB_AbsstrengthdB2amplstrengths2dBstrengthsDb2amplintervalsFromStringG
vStrToVIntstrToIntdoublesAveragedAdoublesAveragedGdurationsAverstrengthsAverstrengthsDbAverequalize2Vecstr2Durations
str2Durat1
str2Volumestr2Vol1silentSound2Gapply6Gapply6GSapply6G2	apply6GS2dviykyTAtriykyTAchetvirkyTAp'yatirkyTA	shistkyTAsimkyTA	visimkyTAdev'yatkyTA
desyatkyTAodynadtsyatkyTA	octavesTAmaybeFFromStrVec	fVecCoefsshowFFromStrVecoverSoXSynth2FDNoverSoXSynth2FDN1GoverSoXSynth2FDN2GoverSoXSynth2FDN5Ghelp11overSoXSynth2FDN6GoverSoXSynth2FDN6GSoverSoXSynthGen2FDNoverSoXSynthGen2FDN4GoverSoXSynth2FDN_BoverSoXSynth2FDN_B1GoverSoXSynth2FDN_B2GoverSoXSynth2FDN_B5Ghelp12overSoXSynth2FDN_B6GoverSoXSynth2FDN_B6GSoverSoXSynthGen2FDN_BoverSoXSynth2FDN_S1GoverSoXSynth2FDN_S2Ghelp13overSoXSynth2FDN_S5GoverSoXSynth2FDN_S6GoverSoXSynth2FDN_S6GSoverSoXSynthGen2FDN_SGoverSoXSynthGen2FDN_SG4GoverSoXSynthGen2FDN_SG4GSoverSoXSynthGen2FDN_SG6GoverSoXSynthGen2FDN_SG6GSoverSoXSynthGen2FDN_SG6GSuoverSoXSynthGen2FDN_SG2GoverSoXSynth2FDN_Sf1GoverSoXSynth2FDN_Sf2GoverSoXSynth2FDN_Sf31GoverSoXSynth2FDN_Sf35GoverSoXSynth2FDN_Sf36GoverSoXSynth2FDN_Sf36GSsoundGenF31GoverSoXSynthGen2FDN_Sf3GoverSoXSynthGen2FDN_Sf3G2GsplitOsplitO2splitOG1
splitHelp1
splitHelp2splitOG2	splitOG12
splitOG12S	splitOG22
splitOG22S
overConcatoctaveUp
octaveDownliftInOctaveliftInOctaveV
overTones2overSoXSynthDNoverSoXSynth2DNoverSoXSynth2overSoXSynthNoverSoXSynthN4GoverSoXSynthN4GSoverSoXSynthN2overSoXSynthN24GoverSoXSynthN24GSoverSoXSynthN3overSoXSynthN34GoverSoXSynthN35GoverSoXSynthN34GSoverSoXSynthN35GSoverSoXSynthNGenoverSoXSynthNGenEoverSoXSynthNGenEParoverSoXSynthNGenE4GSoverSoXSynthNGenE4GSParoverSoXSynthNGenE4GoverSoXSynthNGenE4GParoverSoXSynthNGen2overSoXSynthNGen2EoverSoXSynthNGen2EParoverSoXSynthNGen2E4GSoverSoXSynthNGen2E4GSParoverSoXSynthNGen2E4GoverSoXSynthNGen2E4GParoverSoXSynthNGen3overSoXSynthNGen3EoverSoXSynthNGen3EParoverSoXSynthNGen3E4GSoverSoXSynthNGen3E4GSParoverSoXSynthNGen3E4GoverSoXSynthNGen3E4GParoverSoXSynthNGen3E5GoverSoXSynthNGen3E5GParoverSoXSynthNGen3E5GSoverSoXSynthNGen3E5GSParoverSoXSynthNGen3E6GoverSoXSynthNGen3E6GParoverSoXSynthNGen3E6GSoverSoXSynthNGen3E6GSParoverSoXSynthNGen3E6GSuoverSoXSynthNGen3E6GSuParparseTupcontainsExtcanBePreParseVparseV	parseVInfparseStoLIntsrecAndProcess	processD1d3Hd4Hd5Hd7Hd8Hd9HuniqOvertonesVuniqOvertonesV2uniqOverSoXSynthuniqOverSoXSynth2uniqOverSoXSynthNuniqOverSoXSynthN4GSuniqOverSoXSynthN4GuniqOverSoXSynthN3uniqOverSoXSynthN34GSuniqOverSoXSynthN34GuniqOverSoXSynthN4uniqOverSoXSynthN44GSuniqOverSoXSynthN44GuniqOverSoXSynthN45GuniqOverSoXSynthN45GSuniqOverSoXSynthN46GSuniqOverSoXSynthN46GSuuniqOverSoXSynthNGenuniqOverSoXSynthNGenEuniqOverSoXSynthNGenEParuniqOverSoXSynthNGenE4GSuniqOverSoXSynthNGenE4GSParuniqOverSoXSynthNGenE4GuniqOverSoXSynthNGenE4GParuniqOverSoXSynthNGen3uniqOverSoXSynthNGen3EuniqOverSoXSynthNGen3EParuniqOverSoXSynthNGen3E4GSuniqOverSoXSynthNGen3E4GSParuniqOverSoXSynthNGen3E4GuniqOverSoXSynthNGen3E4GParuniqOverSoXSynthNGen4uniqOverSoXSynthNGen4EuniqOverSoXSynthNGen4EParuniqOverSoXSynthNGen4E4GSuniqOverSoXSynthNGen4E4GSParuniqOverSoXSynthNGen4E4GuniqOverSoXSynthNGen4E4GParuniqOverSoXSynthNGen4E5GuniqOverSoXSynthNGen4E5GParuniqOverSoXSynthNGen4E5GSuniqOverSoXSynthNGen4E5GSParuniqOverSoXSynthNGen4E6GuniqOverSoXSynthNGen4E6GParuniqOverSoXSynthNGen4E6GSuniqOverSoXSynthNGen4E6GSParuniqOverSoXSynthNGen4E6GSuuniqOverSoXSynthNGen4E6GSuPar	dobutokO2dobutokO2H9dobutokO2H92dobutokO2H7o2helpmainghc-prim	GHC.TypesFloat	IntervalsbaseGHC.ArrArrayInt	Durations	StrengthsGHC.BaseStringGHC.IOFilePathComposition.Sound.IntermediateFsoxBasicParams#Composition.Sound.Functional.BasicsclosestNoteGHC.Showshow	overTones>ukrainian-phonetics-basic-array-0.6.0.0-HFbkcjj2urmHDVT2gpTY4FMelodics.Ukrainian.ArrInt8convertToProperUkrainianI8apply6GfnkyT
liftInEnku	GHC.MaybeMaybeadjust_dbVol
OvertonesOidNothingoverSoXSynthdNote	strToIntGliftInEnkuVliftInParamsVfilterInParamsuniqOverSoXSynthN46GpAnR_pAnR_2G