úÎ!Þ„¹      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~€‚ƒ„…†‡ˆ‰Š‹ŒŽ‘’“”•–—˜™š›œžŸ ¡¢£¤¥¦§¨©ª«¬­®¯°±²³´µ¶·¸(c) OleksandrZhabenko 2020MIT ExperimentalNoneág; dobutokO2KIs used to represent a set of pairs of notes for each element of which the ¹V values (notes frequencies in Hz) are somewhat musically connected one with another.. dobutokO2HIs used to represent a set of overtones for the single sound, the first ¹9 value is a frequency and the second one -- an amplitude. dobutokO2@Is used to represent a sequence of intervals, each note being a ¹ value (its frequency in Hz). dobutokO2 Similar to overSoXSynth2DN but instead of ?% function, it uses volatile function $f::Double -> Vector (Double, Double)C with somewhat sophisticated mechanism to normalize the resulting º elements (Double, Double)·. The last one is an experimental feature, so it is your responsibility to provide a function so that it does not lead to clipping. In such a case, the result of application of the » to the ¼ parameter must not be ½. ¾< argument is an index of the element to be taken from the 8 applied to the ¼W argument. To obtain compatible with versions prior to 0.20.0.0 behaviour, use for the ¾ 0.²Be aware that the result can be rather unpredictable (the program can even obtain segmentation fault) for not very suitable function. But for a lot of functions this works well.\It is recommended to fully simplify the computation for "f" function before using it in the . dobutokO2Is used internally in the ¿B to adjust volume for the sound with additional dB value given by ¹ argument. dobutokO2ÿŽIs used internally in the functions to specify different SoX parameters for the sound synthesis (rate, bit depth and file extension). Possible file extensions are: ".wav" (a default one) and ".flac" (being lossless compressed); rates -- 8000, 11025, 16000, 22050 (a default one), 32000, 44100, 48000, 88200, 96000, 176400, 192000 Hz; bit depths -- 16 bits and 24 bits. The first two digits in a ¼Ø argument encodes rate, the next one -- bit depth and the last symbol -- letter 'w' or 'f' -- file extension. Because of SoX uses FLAC optionally, before use it, please, check whether your installation supports it. dobutokO2º of ¹S is a vector of dB volume adjustments for the corresponding harmonices (overtones). dobutokO2 Similar to 3, but additionally allows to specify by the second ¼A argument a quality changes to the generated files (please, see ). dobutokO2Uses additional ¾4 parameters. The first one is a number of enka (see ;<). The second one defines, to which n-th elements set (see ;“) belongs the obtained higher notes in the intervals. To obtain reasonable results, please, use for the first one 2, 3, 4, 6, 9, or 12. The first ¼d parameter is used to produce durations of the notes. The second one is used to define intervals. A ¹Q parameter is a basic sound duration, it defines tempo of the melody in general.  dobutokO2Gets º of ¾ frequencies from the given Àÿ using SoX. The frequencies are "rough" according to the SoX documentation and the duration is too small so they can be definitely other than expected ones. Is used as a source of variable numbers (somewhat close each to another in their order but not neccessarily). .  dobutokO2ÖCombines (mixes) all "test*" files in the given directory. The files should be similar in parameters and must be sound files for SoX to work on them properly. Afterwards, the function deletes these combined files.  dobutokO2 Similar to  t, but allows to change the sound quality parameters for the resulting file. For more information, please, refer to .  dobutokO2ÿDGets an "end.wav" file from the intermediate "result*.wav" files in the current directory. If it is not successful, produces the notification message and exits without error. If you would like to create the file if there are too many intermediate ones, please, run "dobutokO2 8" or "dobutokO2 80" in the current directory.  dobutokO2 Similar to  , but uses additional ¼V argument to change sound quality parameters. For more information, please, refer to . dobutokO2GCreates part of the needed "test*.wav" files in the current directory.  dobutokO2Generalized version of the 6 with the additional volume adjustment in dB given by º of ¹. dobutokO2Generalized version of the S with a possibility to change sound quality parameters using the additional second ¼3 argument. For more information, please, refer to . dobutokO2 Generates a º of  that represents the sound.  dobutokO2 Similar to overSoXSynth2DN but instead of ?% function, it uses volatile function $f::Double -> Vector (Double, Double)C with somewhat sophisticated mechanism to normalize the resulting º elements (Double, Double)´. The last one is experimental feature, so it is your responsibility to provide a function so that it does not lead to clipping. In such a case, the result of application of the » to the ¼ parameter must not be ½U. The function also tries to perform filtering to avoid possible beating. The third ¹  parameter in the tuple is used as a limit for frequencies difference in Hz to be filtered out from the resulting sound. It is considered to be from the range  [0.1..10.0]. An ¾ parameter is used to define the needed interval. To obtain compatible with versions prior to 0.20.0.0 behaviour, use for the ¾ 0.²Be aware that the result can be rather unpredictable (the program can even obtain segmentation fault) for not very suitable function. But for a lot of functions this works well.\It is recommended to fully simplify the computation for "f" function before using it in the . dobutokO2º of ¹S is a vector of dB volume adjustments for the corresponding harmonices (overtones). dobutokO2Generalized version of the P with a possibility to specify sound quality parameters using additional second ¼3 argument. For more information, please, refer to . dobutokO2Uses additional ¾4 parameters. The first one is a number of enka (see ;<). The second one defines, to which n-th elements set (see ;“) belongs the obtained higher notes in the intervals. To obtain reasonable results, please, use for the first one 2, 3, 4, 6, 9, or 12. The first ¼l parameter is used to produce durations of the notes. The second one is used to define intervals. The first ¹á parameter is a basic sound duration, it defines tempo of the melody in general. The second one is a limit for frequencies difference in Hz to be filtered out from the resulting sound. It is considered to be from the range  [0.1..10.0]. dobutokO2 Similar to ? but it does not make any normalizing transformations with the º\ argument. To be used properly, it is needed that every second element in the tuple in the º‰ argument must be in the range [-1.0..1.0] and every first element must be in between 16.351597831287414 and 7902.132820097988 (Hz). An ¾w parameter is used to define an interval. To obtain compatible with versions prior to 0.20.0.0 behaviour, use for the ¾ 0.²Be aware that the result can be rather unpredictable (the program can even obtain segmentation fault) for not very suitable function. But for a lot of functions this works well.\It is recommended to fully simplify the computation for "f" function before using it in the . dobutokO2Generalized version of the D with the additional volume adjustment in dB for overtones given by º of ¹. dobutokO2Generalized version of the I with a possibility to specify sound quality parameters using the second ¼3 argument. For more information, please, refer to . dobutokO2 Similar to , but instead of  uses  function.  dobutokO2Generalized variant of the . with a possibility to specify with the third ¼‡ argument sound quality parameters. Besides, the second from the end argument (a function) needs to be one more argument -- just also ¼+. For more information, please, refer to . dobutokO2 Similar to , but instead of  uses  function.  dobutokO2 Similar to = but additionally the program filters out from the resulting ºQ after "f" application values that are smaller by absolute value than 0.001. An ¾w parameter is used to define an interval. To obtain compatible with versions prior to 0.20.0.0 behaviour, use for the ¾ 0.²Be aware that the result can be rather unpredictable (the program can even obtain segmentation fault) for not very suitable function. But for a lot of functions this works well.\It is recommended to fully simplify the computation for "f" function before using it in the . dobutokO2Generalized variant of the + with a possibility to adjust volume using . º of ¹O is used to specify adjustments in dB. For more information, please, refer to . dobutokO2Generalized variant of the > with a possibility to specify sound quality using the second ¼3 argument. For more information, please, refer to . dobutokO2 Similar to , but instead of  uses  function.  dobutokO2 Similar to = but additionally the program filters out from the resulting º? after "f" application values that are smaller than the third ¹1 parameter by an absolute value in the triple of Double's. An ¾w parameter is used to define an interval. To obtain compatible with versions prior to 0.20.0.0 behaviour, use for the ¾ 0.²Be aware that the result can be rather unpredictable (the program can even obtain segmentation fault) for not very suitable function. But for a lot of functions this works well.\It is recommended to fully simplify the computation for "f" function before using it in the  .! dobutokO2Generalized variant of the  4 function with a possibility to adjust volume using  adjust_dBVol. º of ¹) specifies the needed adjustments in dB." dobutokO2Generalized variant of the !> with a possibility to specify sound quality using the second ¼4 parameter. For more information, please, refer to .% dobutokO2ÿ.Can generate multiple notes with their respective overtones that are played simultaneously (e. g. it can be just one note with overtones, an interval with overtones, an accord with overtones etc.). This allows to get a rather complex or even complicated behaviour to obtain expressive and rich sound.& dobutokO2Generalized variant of the %2 with volume adjustment in dB given by the second  Vector Double for the overtones.' dobutokO2Generalized variant of the &> with a possibility to specify sound quality using the second ¼3 argument. For more information, please, refer to .( dobutokO2 Similar to , but instead of  uses   function. ) dobutokO2 Similar to , but instead of  uses   function. * dobutokO2Generalized variant of the ovorSoXSynthGen2FDN_Sf3G< with a possibility to specify sound quality with the third ¼n argument. Besides, the second from the end argument (a function) needs to be one more argument -- just also ¼+. For more information, please, refer to .+ dobutokO2;Function to get from the number of semi-tones and a note a Áw note for the second lower note in the interval if any. If there is no need to obtain such a note, then the result is Â., dobutokO2º of musical notes in Hz.- dobutokO2¢Function returns either the nearest two musical notes if frequency is higher than one for C0 and lower than one for B8 or the nearest note duplicated in a tuple.. dobutokO28Returns the closest note to the given frequency in Hz. / dobutokO23Additional function to prepend zeroes to the given ¼J. The number of them are just that one to fulfill the length to the given ¾ parameter.1 dobutokO2XIs a minimal number of decimal places that are just enough to represent a length of the º given. For an ½ returns 0.2 dobutokO2¬Function is used to generate a rhythm of the resulting file 'end.wav' from the Ukrainian text and a number of sounds either in the syllables or in the words without vowels.3 dobutokO2 Similarly to  liftInOctaveV returns a º ¹@ (actually frequencies) for the n-th elements set of notes (see ; ) instead of octaves. A second ¾ parameter defines that n. 4 dobutokO2 Similarly to  liftInOctave returns a ÁE number (actually frequency) for the n-th elements set of notes (see ; ). A second ¾ parameter defines that n.5 dobutokO2 Similarly to  whichOctave returns a ÁE number (actually frequency) for the n-th elements set of notes (see ;). An ¾ parameter defines that n.6 dobutokO2UReturns an analogous note in the higher n-th elements set (its frequency in Hz) (see ;). An ¾ parameter defines this n.7 dobutokO2TReturns an analogous note in the lower n-th elements set (its frequency in Hz) (see ;). An ¾ parameter defines this n.8 dobutokO2>Function is used to get numbers of intervals from a Ukrainian ¼. It is used internally in the uniqOverSoXSynthN4 function.; dobutokO2 Returns a º[ of tuples with the lowest and highest frequencies for the notes in the sets consisting of n1 consequential notes (including semi-tones). An ¾ parameter defines this nK. It can be 2, 3, 4, 6, 9, or 12 (the last one is for default octaves, see <). So for different valid nM you obtain doubles, triples and so on. The function being applied returns a ºD of such sets with their respective lowest and highest frequencies.< dobutokO2 Returns a ºP of tuples with the lowest and highest frequencies for the notes in the octaves.= dobutokO2ÿnFor the given frequency it generates a musical sound with a timbre. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.> dobutokO2/Returns a pure quint lower than the given note.? dobutokO23For the given frequency of the note it generates a ºR of the tuples, each one of which contains the harmonics' frequency and amplitude.@  !"#$%&'()*+,-./0123456789:;<=>?@,-.>?;56734< = (+!"'* %)&/01289:#$(c) OleksandrZhabenko 2020MIT ExperimentalNone_ K dobutokO2EReturns an analogous note in the higher octave (its frequency in Hz).L dobutokO2DReturns an analogous note in the lower octave (its frequency in Hz).M dobutokO2øFunction can be used to determine to which octave (in the American notation for the notes, this is a number in the note written form, e. g. for C4 this is 4) the frequency belongs (to be more exact, the closest note for the given frequency -- see .Ÿ taking into account its lower pure quint, which can lay in the lower by 1 octave). If it is not practical to determine the number, then the function returns Â.N dobutokO2|Function lifts the given frequency to the given number of the octave (in American notation, from 0 to 8). This number is an ¾¨ parameter. The function also takes into account the lower pure quint for the closest note. If it is not practical to determine the number, then the function returns Â.O dobutokO2Function lifts the º of ¹7 representing frequencies to the given octave with the ¾÷ number. Better to use numbers in the range [1..8]. The function also takes into account the lower pure quint for the obtained note behaviour. If it is not practical to determine the octave, the resulting frequency is omitted from the resulting º.P dobutokO23For the given frequency of the note it generates a ºd of the tuples, each one of which contains the harmonics' frequency and amplitude. For every given ¼8 structure of the uniqueness (see the documentation for mmsyn7s package and its ' module) it produces the unique timbre.Q dobutokO24Additional function to produce signs from the given ¼Ë of the Ukrainian text. Ukrainian vowels and voiced consonants gives "+" sign (+1), voiceless and sonorous consonants gives "-" sign (-1). Voiceless2 gives "0". Other symbols are not taken into account.R dobutokO2HFor the given frequency of the note and a Ukrainian text it generates a ºX of the tuples, each one of which contains the harmonics' frequency and amplitude. The ¼9 is used to produce the signs for harmonics coefficients.S dobutokO23For the given frequency of the note it generates a ºj of the tuples, each one of which contains the harmonics' frequency and amplitude. For every given first ¼A argument structure of the uniqueness (see the documentation for mmsyn7s package and its 4 module) it produces the unique timbre. The second ¼9 is used to produce the signs for harmonics coefficients.T dobutokO2 Similar to =i except that takes not necessarily pure lower quint note as the second one, but the one specified by the ¼ parameter as an argument to +. If you begin the ¼¤ with space characters, or "AL", or "FL", or dash, or apostrophe, or soft sign, than there will be no interval and the sound will be solely one with its Overtones.U dobutokO2 Similar to T? except that the resulting duration is specified by the second ¹ parameter in seconds. For T it is equal to 0.5.V dobutokO2ÿfFor the given frequency it generates a musical sound with a timbre. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. Please, check before executing whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten. The ¼N argument is used to define signs of the harmonics coefficients for Overtones.W dobutokO25Function to create a melody for the given arguments. ¼´ is used to provide a rhythm. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. The first ¹ÿ argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second ¹Ö argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.X dobutokO25Function to create a melody for the given arguments. ¼´ is used to provide a rhythm. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. The first ¹ÿ argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second ¹Ö argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.Y dobutokO25Function to create a melody for the given arguments. ¼´ is used to provide a rhythm. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. The first ¹ÿ argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second ¹â argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten. The third ¼K argument is used to define the intervals for the notes if any. The third ¹ÿ/ parameter basically is used to define in how many times the volume for the second lower note is less than the volume of the main note. If it is rather great, it can signal that the volume for the second note overTones are greater than for the main note obetones. The last one is experimental feature.Z dobutokO2 Similar to W?, but uses a sound file to obtain the information analogous to ºa in the latter one. Besides, the function lifts the frequencies to the octave with the given by ¾C parameter number (better to use from the range [1..8]). The first ¹ÿ argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second ¹ä argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.For better usage the À( should be a filepath for the .wav file.[ dobutokO2 Similar to Z, but uses additional second ¾8 parameter. It defines, to which n-th elements set (see ;†) belongs the obtained higher notes in the intervals. If that parameter equals to 12, then the function is practically equivalent to Z=. To obtain its modifications, please, use 2, 3, 4, 6, or 9.\ dobutokO2 Similar to X?, but uses a sound file to obtain the information analogous to ºa in the latter one. Besides, the function lifts the frequencies to the octave with the given by ¾C parameter number (better to use from the range [1..8]). The first ¹ÿ argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second ¹ä argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.For better usage the À5 should be a filepath for the .wav file. The second ¼X argument is used to define signs of the harmonics coefficients in the generated sounds.] dobutokO2 Similar to \, but uses additional second ¾8 parameter. It defines, to which n-th elements set (see ;†) belongs the obtained higher notes in the intervals. If that parameter equals to 12, then the function is practically equivalent to \=. To obtain its modifications, please, use 2, 3, 4, 6, or 9.^ dobutokO2 Similar to X?, but uses a sound file to obtain the information analogous to ºa in the latter one. Besides, the function lifts the frequencies to the octave with the given by ¾C parameter number (better to use from the range [1..8]). The first ¹ÿ argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second ¹ä argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.For better usage the À5 should be a filepath for the .wav file. The second ¼d argument is used to define signs of the harmonics coefficients in the generated sounds. The third ¼K argument is used to define the intervals for the notes if any. The third ¹ÿ/ parameter basically is used to define in how many times the volume for the second lower note is less than the volume of the main note. If it is rather great, it can signal that the volume for the second note overTones are greater than for the main note obetones. The last one is experimental feature._ dobutokO2 Similar to ^, but uses additional second ¾8 parameter. It defines, to which n-th elements set (see ;†) belongs the obtained higher notes in the intervals. If that parameter equals to 12, then the function is practically equivalent to ^=. To obtain its modifications, please, use 2, 3, 4, 6, or 9.` dobutokO2—For the given frequency and a Ukrainian text it generates a musical sound with the timbre obtained from the Ukrainian text (see the documentation for mmsyn7s¦ package). The timbre for another given text usually differs, but can be the same. The last one is only if the uniqueness structure and length are the same for both ¼ÿ™. Otherwise, they differs. This gives an opportunity to practically and quickly synthesize differently sounding intervals. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. Please, check before executing whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.a dobutokO2—For the given frequency and a Ukrainian text it generates a musical sound with the timbre obtained from the Ukrainian text (see the documentation for mmsyn7s¦ package). The timbre for another given text usually differs, but can be the same. The last one is only if the uniqueness structure and length are the same for both ¼ÿ¦. Otherwise, they differs. This gives an opportunity to practically and quickly synthesize differently sounding intervals. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. Please, check before executing whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten. The second ¼O argument is used to define signs for the harmonics coefficients for Overtones.b dobutokO2?Function to create a melody for the given arguments. The first ¼ù is used to provide a rhythm. The second one -- to provide a timbre. The timbre for another given text usually differs, but can be the same. This gives an opportunity to practically and quickly synthesize differently sounding intervals. The first ¹ÿL argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The main component of the sound is in the given octave with a number given by ¾° parameter. Besides, another main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. The second ¹Ö argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten.c dobutokO2?Function to create a melody for the given arguments. The first ¼ù is used to provide a rhythm. The second one -- to provide a timbre. The timbre for another given text usually differs, but can be the same. This gives an opportunity to practically and quickly synthesize differently sounding intervals. The first ¹ÿL argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The main component of the sound is in the given octave with a number given by ¾° parameter. Besides, another main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. The second ¹â argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten. The third ¼X argument is used to define signs of the harmonics coefficients in the generated sounds.d dobutokO2?Function to create a melody for the given arguments. The first ¼ù is used to provide a rhythm. The second one -- to provide a timbre. The timbre for another given text usually differs, but can be the same. This gives an opportunity to practically and quickly synthesize differently sounding intervals. The first ¹ÿL argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The main component of the sound is in the given octave with a number given by ¾° parameter. Besides, another main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. The second ¹â argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" files in the current directory, because they can be overwritten. The third ¼e argument is used to define signs of the harmonics coefficients in the generated sounds. The fourth ¼K argument is used to define the intervals for the notes if any. The third ¹ÿ/ parameter basically is used to define in how many times the volume for the second lower note is less than the volume of the main note. If it is rather great, it can signal that the volume for the second note overTones are greater than for the main note obetones. The last one is experimental feature.e dobutokO2 Similar to b?, but uses a sound file to obtain the information analogous to ºb in the latter one. Besides, the function lifts the frequencies to the octave with the given by ¾D parameter number (better to use from the range [1..8]). The first ¹ÿ argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second ¹ä argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.For better usage the À( should be a filepath for the .wav file.f dobutokO2 Similar to e, but uses additional second ¾8 parameter. It defines, to which n-th elements set (see ;†) belongs the obtained higher notes in the intervals. If that parameter equals to 12, then the function is practically equivalent to e=. To obtain its modifications, please, use 2, 3, 4, 6, or 9.g dobutokO2 Similar to b?, but uses a sound file to obtain the information analogous to ºb in the latter one. Besides, the function lifts the frequencies to the octave with the given by ¾D parameter number (better to use from the range [1..8]). The first ¹ÿ argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second ¹ä argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.For better usage the À4 should be a filepath for the .wav file. The third ¼X argument is used to define signs of the harmonics coefficients in the generated sounds.h dobutokO2 Similar to g, but uses additional second ¾8 parameter. It defines, to which n-th elements set (see ;†) belongs the obtained higher notes in the intervals. If that parameter equals to 12, then the function is practically equivalent to g=. To obtain its modifications, please, use 2, 3, 4, 6, or 9.i dobutokO2 Similar to b?, but uses a sound file to obtain the information analogous to ºb in the latter one. Besides, the function lifts the frequencies to the octave with the given by ¾D parameter number (better to use from the range [1..8]). The first ¹ÿ argument from the range [0.01..1.0] is used as a maximum amplitude for Overtones. If it is set to 1.0 the overTones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second ¹ä argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.For better usage the À4 should be a filepath for the .wav file. The third ¼e argument is used to define signs of the harmonics coefficients in the generated sounds. The fourth ¼K argument is used to define the intervals for the notes if any. The third ¹ÿ2 parameter basically is used to define in how many times the volume for the second lower note is less than the volume of the main note. If it is rather great, it can signal that the volume for the second note overTones are greater than for the main note obetones. The last one is an experimental feature.j dobutokO2 Similar to i, but uses additional second ¾8 parameter. It defines, to which n-th elements set (see ;†) belongs the obtained higher notes in the intervals. If that parameter equals to 12, then the function is practically equivalent to i=. To obtain its modifications, please, use 2, 3, 4, 6, or 9.+@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghij+WRVXYTUZ\^P`bSacdegiKLMNO@ABCDEFGHIJ[]_fhjQ(c) OleksandrZhabenko 2020MIT ExperimentalNoneõo dobutokO2Predicate to check whether a ºg does not contain round parentheses or dash (a minus sign) as its elements. Is used internally in the r0 function to avoid lists with negative elements.p dobutokO2Notification. Uses an ¾H limitation to avoid infinite lists. All arguments must be not negative.q dobutokO2JFrom the 0.19.0.0 version. Can be used to parse also into infinite lists. r dobutokO2 Parses a ¼r being a list of Ints written with Haskell rules, e. g. "[1..]", "[2,4..45]", "[3,5,6,7,8,3]" etc. into a list of ¾]. If it is not possible or list is empty, returns []. Preceding whitespaces are ignored. An ¾9 argument is used as a delimiter to avoid infinite lists.klmnopqrklmnopqr(c) OleksandrZhabenko 2020MIT ExperimentalNoneõâ<s dobutokO2@Gets sizes of the "result*.wav" files in the current directory. t dobutokO2Generalized variant of the si with a possibility to get sizes either of FLAC or of WAV files. For more information, please, refer to .u dobutokO2 Similar to s, but sizes are ¾, not Ã-. For most cases it is more memory efficient.v dobutokO2Generalized variant of the ui with a possibility to get sizes either of FLAC or of WAV files. For more information, please, refer to .w dobutokO2 Variant of s function.x dobutokO2Gets ºJ of tuples of the pairs of "result*.wav" files and their respective sizes.y dobutokO2Generalized variant of the xi with a possibility to get sizes either of FLAC or of WAV files. For more information, please, refer to .z dobutokO2Gets ºC of the filenames for "result*.wav" files in the current directory.{ dobutokO2Generalized variant of the z with a possibility to get ÀG for either FLAC or WAV files. For more information, please, refer to .| dobutokO2ÿDuring function evaluation you can listen to the sound files and mark them with "1" and "0". The first one means that the sound is considered of higher quality and is intended to be used as a replacement for the worse sounds markd by "0". The function returns a º of specially formatted ¼T that represents only those files that are connected with the replacement procedure.} dobutokO2 Function |A applied to all the "result*.wav" files in the current directory.~ dobutokO2Generalized variant of the }g with a possibility to play and mark either FLAC or WAV files. For more information, please, refer to . dobutokO2@Function-predicate to check whether a file corresponding to its ¼4 argument is needed to be replaced while processing.€ dobutokO2@Function-predicate to check whether a file corresponding to its ¼ argument is considered as one of higher quality and therefore can be used to replace the not so suitable ones while processing. dobutokO2Gets an index of the º element corresponding to the ¼ generated by | function.‚ dobutokO2*Used to obtain parameters for processment.ƒ dobutokO2Axiliary function to get a ¼< of consequent digits in the name of the "result*.wav" file.„ dobutokO2%Given an index of the element in the z¹ output returns a tuple of the boundaries of the indexes usable for playback. Note: index0 is probably from [0..], l1 is necessarily from [0..]. Interesting case is: 0 <= index0 < l1.… dobutokO2%Given an index of the element in the { (with the same ¼Ò as the second argument) output returns a tuple of the boundaries of the indexes usable for playback. Note: index0 is probably from [0..], l1 is necessarily from [0..]. Interesting case is: 0 <= index0 < l1.† dobutokO2Parser to the result of {( function to get the needed information.‡ dobutokO2?Plays a sequence of sounds in the interval of them obtained by „ function.ˆ dobutokO2Generalized variant of the ‡g with a possibility to play and mark either FLAC or WAV files. For more information, please, refer to .‰ dobutokO2[Plays a sequence of consequential sounds in the melody in the interval of them obtained by „' function for each element index from º of indexes.Š dobutokO2Generalized variant of the ‰g with a possibility to play and mark either FLAC or WAV files. For more information, please, refer to .‹ dobutokO2<Plays a sequence of WAV sounds considered of higher quality.Œ dobutokO28Plays a sequence of sounds considered of higher quality. dobutokO2 The same as ‹*, but additionally collects the resulting Ä“ values and then returns them. It is used to define, which sounds from those of higher quality will replace those ones considered to be replaced.Ž dobutokO2Generalized variant of the g with a possibility to play and mark either FLAC or WAV files. For more information, please, refer to . dobutokO2*Actually replaces the file represented by ÀÿO argument with no (then there is no replacement at all), or with just one, or with a sequence of sounds being considered of higher quality to form a new melody. If the lengths of the second and the third arguments differs from each other then the function uses as these arguments truncated vectors of the minimal of the two lengths.  dobutokO2Generalized variant of the Û with a possibility to work either with FLAC files or with WAV files. Please, use with the FLAC files or with the WAV files separately. Do not intend to work with both types of them simultaneously using this function. ‘ dobutokO2Åe checkbox whether to add the sound played to the sequence of sounds that will replace the needed one.’ dobutokO2˜Plays a sound file considered to be of higher quality and then you define whether to use the played sound to replace that one considered to be replaced.“ dobutokO2VProcess the sound corresponding to the first element in the first argument. Returns a ÆÁ of the first element of the first command line argument. Replaces (if specified) the sound with a sequence of (or just one, or made no replacement at all) sounds considered of higher quality.” dobutokO2Generalized variant of the “Û with a possibility to work either with FLAC files or with WAV files. Please, use with the FLAC files or with the WAV files separately. Do not intend to work with both types of them simultaneously using this function. • dobutokO2øProcess the WAV sounds consequently corresponding to the elements in the first argument. Replaces (if specified) the sounds with a sequence of (or just one, or made no replacement at all) sounds considered of higher quality for every sound needed.– dobutokO2Generalized variant of the •Û with a possibility to work either with FLAC files or with WAV files. Please, use with the FLAC files or with the WAV files separately. Do not intend to work with both types of them simultaneously using this function. — dobutokO2ÀMarks the needed WAV files as of needed to be replaced or those ones considered of higher quality that will replace the needed ones. Then actually replaces them as specified. Uses internally } and • functions. ˜ dobutokO2Generalized variant of the —Û with a possibility to work either with FLAC files or with WAV files. Please, use with the FLAC files or with the WAV files separately. Do not intend to work with both types of them simultaneously using this function. ™ dobutokO2«Converts WAV file to FLAC file using SoX (please, check before whether your installation supports FLAC files) using possible rate and bit depth conversion accordingly to * format. If the conversion is successful (Ç is È ) then removes the primary file.É dobutokO2«Converts FLAC file to WAV file using SoX (please, check before whether your installation supports FLAC files) using possible rate and bit depth conversion accordingly to * format. If the conversion is successful (Ç is È ) then removes the primary file.  dobutokO2PTakes a filename to be applied a SoX "reverb" effect with parameters of list of ¼ÿ (the second argument). Produces the temporary new file with the name ((name-of-the-file) ++ ("reverb.wav" OR "reverb.flac") -- the type is preserved), which then is removed. Please, remember that for the mono audio the after applied function file is stereo with 2 channels.LBesides, you can specify other SoX effects after reverberation in a list of ¼¦. The syntaxis is that every separate literal must be a new element in the list. If you plan to create again mono audio in the end of processment, then probably use ¢¯ funcion instead. If you would like to use instead of "reverb" its modification "reverb -w" effect (refer to SoX documentation), then probably it is more convenient to use ¤b function. Please, check by yourself whether you have enough permissions to read and write to the Àp-specified file and to the containing it directory. The function is not intended to be used in otherwise cases.¡ dobutokO2 Similar to  , but replaces the primary WAV file with the new FLAC file (or vice versa). So if successful the resulting file has another extension and type.¢ dobutokO2 The same as  ÿ , but at the end file is being mixed to obtain mono audio. The name of the temporary file is ((name-of-the-file) ++ ("reverb1.wav" OR "reverb1.flac") -- the type is preserved). Please, check by yourself whether you have enough permissions to read and write to the Àp-specified file and to the containing it directory. The function is not intended to be used in otherwise cases.£ dobutokO2 Similar to ¢, but replaces the primary WAV file with the new FLAC file (or vice versa). So if successful the resulting file has another extension and type.¤ dobutokO2 The same as  ÿ<, but uses "reverb -w" effect instead of "reverb". The name of the temporary file is ((name-of-the-file) ++ ("reverbW.wav" OR "reverbW.flac") -- the type is preserved). Please, for more information, refer to SoX documentation. Please, check by yourself whether you have enough permissions to read and write to the Àp-specified file and to the containing it directory. The function is not intended to be used in otherwise cases.¥ dobutokO2 Similar to ¤, but replaces the primary WAV file with the new FLAC file (or vice versa). So if successful the resulting file has another extension and type.¦ dobutokO2 The same as ¤ÿ , but at the end file is being mixed to obtain mono audio. The name of the temporary file is ((name-of-the-file) ++ ("reverbW1.wav" OR "reverbW1.flac") -- the type is preserved). Please, check by yourself whether you have enough permissions to read and write to the Ào-specified file and to the containing it directory. The function is not intended to be used in otherwise cases.§ dobutokO2 Similar to  reverb1WE, but replaces the primary WAV file with the new FLAC file (or vice versa). So if successful the resulting file has another extension and type.¨ dobutokO2OTakes a filename to be applied a SoX chain of effects (or just one) as list of ¼³ (the second argument). Produces the temporary new file with the name ((name-of-the-file) ++ ("effects.wav" OR "effects.flac") -- the type is preserved), which then is removed. ­The syntaxis is that every separate literal for SoX must be a new element in the list. If you plan to create again mono audio in the end of processment, then probably use ª¥ function instead. Please, for more information, refer to SoX documentation. Please, check by yourself whether you have enough permissions to read and write to the Àp-specified file and to the containing it directory. The function is not intended to be used in otherwise cases.© dobutokO2 Similar to ¨, but replaces the primary WAV file with the new FLAC file (or vice versa). So if successful the resulting file has another extension and type.ª dobutokO2 The same as ¨“, but at the end file is being mixed to obtain mono audio. Please, check by yourself whether you have enough permissions to read and write to the Àp-specified file and to the containing it directory. The function is not intended to be used in otherwise cases.« dobutokO2 Similar to ª, but replaces the primary WAV file with the new FLAC file (or vice versa). So if successful the resulting file has another extension and type.¬ dobutokO2Function takes a ÀW for the new recorded file (if it already exists then it is overwritten) and a list of ¼¨. The last one is sent to SoX rec or something equivalent as its arguments after the filename. If you plan just afterwards to produce mono audio, it's simpler to use ­j function instead. Please, check by yourself whether you have enough permissions to read and write to the À’-specified file and to the containing it directory. The function is not intended to be used in otherwise cases. Function is adopted and changed Ê function.­ dobutokO2Function takes a ÀW for the new recorded file (if it already exists then it is overwritten) and a list of ¼¸. The last one is sent to SoX rec or something equivalent as its arguments after the filename. Please, check by yourself whether you have enough permissions to read and write to the À‘-specified file and to the containing it directory. The function is not intended to be used in otherwise cases. Function is adopted and changed Ê function.® dobutokO2Plays a À: file with a SoX further effects specified by the list of ¼f. It can be e. g. used to (safely) test the result of applying some SoX effects and only then to use ¨~ or some similar functions to actually apply them. Please, check by yourself whether you have enough permissions to read the À-specified file and the containing it directory. The function is not intended to be used in otherwise cases. Function is adopted and changed Ë function.¯ dobutokO2)A predicate to decide whether an element a+ belongs to the odd number of the lists of a in the º. ° dobutokO2All [a] must be finite. To obtain Just a0" as a result, at least one of the [a] must be not empty and º must have finite length. If º is ½ or all [a]= are null (the vector has finite length), then the result is ÂR. Otherwise, it will run infinitely just until it runs over the available memory.± dobutokO2All [a] must be finite. To obtain Just a0" as a result, at least one of the [a] must be not empty and º must have finite length. If º is ½ or all [a]= are null (the vector has finite length), then the result is ÂR. Otherwise, it will run infinitely just until it runs over the available memory.² dobutokO2Applied to list of [a] where a is an instance for Ì- class gives a sorted in the ascending order º of a, each of them being unique.³ dobutokO2Filters ¾@ elements in a list so that they are limited with the first two ¾: arguments of the function as a lower and a higher bounds.Astuvwxyz{|}~€‚ƒ„…†‡ˆ‰Š‹ŒŽ‘’“”•–—˜™š›œžŸ ¡¢£¤¥¦§¨©ª«¬­®¯°±²³Asuwxz€|}“•—~”–˜†‚ƒ„…‘‡‰‹’¯°±²³tvy{ˆŠŒŽ ¤¢¦¡¥£§¨ª©«¬­®›šžŸœ™(c) OleksandrZhabenko 2020MIT ExperimentalNone_{´ dobutokO2/Function that actually makes processing in the  dobutokO2¨ executable. Please, check before executing whether there is no "x.wav", "test*", "result*" and "end*" files in the current directory, because they can be overwritten.µ dobutokO2Actually works as — function.Í dobutokO2Actually works as ˜ function.¶ dobutokO2žUsed to obtain one multiline specially formatted textual input and do the full processment for the sound. The function generates overtones using additional ¼ÿ‡ and allows maximum control over the parameters. Besides, all the needed information it obtains from the singular formatted input, which can be ended with a keyboard keys combination that means an end of input (e. g. for Unices, that is probably Ctrl + D). '@' are separators for the input parts for their respective parts. For more information about the format of the single input, see:D'https://drive.google.com/open?id=10Z_GRZR4TKoL5KXfqPm-t-4humuHN0O4'ïThe file is also provided with the package as text.dat.txt. The last two or three inputs (an input just here means a textual input between two '@') can be omitted, the program will work also but with less control for the user possible. Î dobutokO28Takes textual input from the stdin and prints it as one ¼ to the stdout.· dobutokO2[Function records and processes the sound data needed to generate the "end.wav" file in the ´„ function. Please, check before executing whether there is no "x.wav" file in the current directory, because it can be overwritten.´µ¶·´·¶µ(c) OleksandrZhabenko 2020MIT ExperimentalNonex¸¸Ï      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~€‚ƒ„…†‡ˆ‰Š‹ŒŽ‘’“”•–—˜™š›œžŸ ¡¢£¤¥¦§¨©ª«¬­®¯°±²³´µ¶·¸¹º»¼½¾¿ÀÁÂÃÄÅÆÇÈÉÊËÌÍÅÆÎÂÃÏÐÑÒËÓÔËÕÖËÕ×ØÙÚÂÃÛÂÃÜÅÆÝËÞßËÞàáâãäâãåÂæçèéê(dobutokO2-0.23.0.0-6EL1t4tn9XJioNpVN4cQXDobutokO.Sound.FunctionalDobutokO.SoundDobutokO.Sound.ParseListDobutokO.Sound.IntermediateFDobutokO.Sound.ExecutableMainMMSyn7Syllable NotePairs OvertonesOSoundsOoverSoXSynth2FDN adjust_dbVolsoxBasicParamsoverSoXSynth2FDN1GoverSoXSynth2FDN2GoverSoXSynthGen2FDN freqsFromFilemixTest mixTest2G endFromResultendFromResult2G partialTest_kpartialTest_k1GpartialTest_k2GdoubleVecFromVecOfDoubleoverSoXSynth2FDN_BoverSoXSynth2FDN_B1GoverSoXSynth2FDN_B2GoverSoXSynthGen2FDN_BoverSoXSynth2FDN_SoverSoXSynth2FDN_S1GoverSoXSynth2FDN_S2GoverSoXSynthGen2FDN_SGoverSoXSynthGen2FDN_SG2GoverSoXSynthGen2FDN_SoverSoXSynth2FDN_SfoverSoXSynth2FDN_Sf1GoverSoXSynth2FDN_Sf2GoverSoXSynthGen2FDN_SfoverSoXSynth2FDN_Sf3overSoXSynth2FDN_Sf31GoverSoXSynth2FDN_Sf32GhelpF1helpF0 soundGenF3 soundGenF31G soundGenF32GoverSoXSynthGen2FDN_Sf3overSoXSynthGen2FDN_Sf3GoverSoXSynthGen2FDN_Sf3G2GdNotenotesneighbourNotes closestNote prependZeroes nOfZeroesLog numVZeroesPre syllableStr liftInEnkuV liftInEnku whichEnkaenkuUpenkuDownintervalsFromString vStrToVIntstrToIntnkyToctavesT overSoXSynth pureQuintNote overTonesdviykyTAtriykyTA chetvirkyTA p'yatirkyTA shistkyTAsimkyTA visimkyTA dev'yatkyTA desyatkyTAodynadtsyatkyTA octavesTAoctaveUp octaveDown whichOctave liftInOctave liftInOctaveVuniqOvertonesVsignsFromString overTones2uniqOvertonesV2overSoXSynthDNoverSoXSynth2DN overSoXSynth2 overSoXSynthNoverSoXSynthN2overSoXSynthN3overSoXSynthNGenoverSoXSynthNGenEoverSoXSynthNGen2overSoXSynthNGen2EoverSoXSynthNGen3overSoXSynthNGen3EuniqOverSoXSynthuniqOverSoXSynth2uniqOverSoXSynthNuniqOverSoXSynthN3uniqOverSoXSynthN4uniqOverSoXSynthNGenuniqOverSoXSynthNGenEuniqOverSoXSynthNGen3uniqOverSoXSynthNGen3EuniqOverSoXSynthNGen4uniqOverSoXSynthNGen4EparseTup parseTupV containsExt containsExtVcanBePreParseVparseV parseVInf parseStoLInts getFileRSizesgetFileRSizes2GgetFileRSizesSgetFileRSizesS2GgetFileRSizesS2getFileRTuplesgetFileRTuples2GlistVDirectorylistVDirectory2G playAndMarkplayAMrk playAMrk2GshouldBeReplacedisHighQindexesFromMrk internalConv ixFromResixInterv ixInterv2G infoFromV playSeqAR playSeqAR2G playSeqARV playSeqARV2G playSeqARV2 playSeqARV22GplayCollectDecplayCollectDec2GreplaceWithHQsreplaceWithHQs2GthisOneplayCollect1DecpAnR1pAnR12GpAnR2pAnR22GpAnR_pAnR_2G wavToFlacw2ff2wwOrfcfw2wfefw2efw2vvreverbE reverbE2Creverb1E reverb1E2CreverbWE reverbWE2C reverbW1E reverb1WE2CsoxEsoxE2CsoxE1soxE12CrecErec1EplayE isOddAsElemmaxLinVminLinV doubleLtoV filterToBnds dobutokO2 dobutokO2H9 dobutokO2H7 recAndProcessmainghc-prim GHC.TypesDouble&vector-0.12.1.2-E9YBdJZ4ywF23gc9L8wAxp Data.VectorVector(mmsyn6ukr-0.6.3.1-B8Tt7Im88SlGtDYL5gWymjMelodics.UkrainianconvertToProperUkrainianbaseGHC.BaseStringemptyIntprocess-1.6.3.0System.ProcessreadProcessWithExitCodeGHC.IOFilePath GHC.MaybeMaybeNothing integer-gmpGHC.Integer.TypeIntegerBoolIOtailGHC.IO.ExceptionExitCode ExitSuccess flacToWav)mmsyn7ukr-0.15.3.0-8tcZiegj6hl4mnd9Kqbju5 SoXBasicsrecAplayA GHC.ClassesOrd dobutokO2H92o2help