dobutokO2-0.6.1.0: A program and a library to create experimental music from a mono audio and a Ukrainian text

Copyright(c) OleksandrZhabenko 2020
LicenseMIT
StabilityExperimental
Safe HaskellNone
LanguageHaskell2010

DobutokO.Sound

Contents

Description

Maintainer : olexandr543@yahoo.com

A program and a library to create experimental music from a mono audio and a Ukrainian text.

Synopsis

Basic functions for the executable

dobutokO2 :: IO () Source #

Function that actually makes processing in the dobutokO2 executable. Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.

recAndProcess :: String -> Int -> IO String Source #

Function records and processes the sound data needed to generate the "end.wav" file in the dobutokO2 function. Please, check before executing whether there is no "x.wav" file in the current directory, because it can be overwritten.

Library and executable functions

For the fixed timbre

oberTones :: Double -> Vector (Double, Double) Source #

For the given frequency of the note it generates a Vector of the tuples, each one of which contains the harmonics' frequency and amplitude.

oberSoXSynth :: Double -> IO () Source #

For the given frequency it generates a musical sound with a timbre. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.

oberSoXSynthN :: Int -> Double -> Double -> String -> Vector Double -> IO () Source #

Function to create a melody for the given arguments. String is used to provide a rhythm. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. The first Double argument from the range [0.01..1.0] is used as a maximum amplitude for obertones. If it is set to 1.0 the obertones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second Double argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.

For the fixed timbre with different signs for harmonics coefficients

oberTones2 :: Double -> String -> Vector (Double, Double) Source #

For the given frequency of the note and a Ukrainian text it generates a Vector of the tuples, each one of which contains the harmonics' frequency and amplitude. The String is used to produce the signs for harmonics coefficients.

oberSoXSynth2 :: Double -> String -> IO () Source #

For the given frequency it generates a musical sound with a timbre. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten. The String argument is used to define signs of the harmonics coefficients for obertones.

oberSoXSynthN2 :: Int -> Double -> Double -> String -> String -> Vector Double -> IO () Source #

Function to create a melody for the given arguments. String is used to provide a rhythm. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. The first Double argument from the range [0.01..1.0] is used as a maximum amplitude for obertones. If it is set to 1.0 the obertones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second Double argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.

Uses a file for information

oberSoXSynthNGen :: FilePath -> Int -> Double -> Double -> String -> IO () Source #

Similar to oberSoXSynthN, but uses a sound file to obtain the information analogous to Vector in the latter one. Besides, the function lifts the frequencies to the octave with the given by Int parameter number (better to use from the range [1..8]). The first Double argument from the range [0.01..1.0] is used as a maximum amplitude for obertones. If it is set to 1.0 the obertones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second Double argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.

For better usage the FilePath should be a filepath for the .wav file.

oberSoXSynthNGen2 :: FilePath -> Int -> Double -> Double -> String -> String -> IO () Source #

Similar to oberSoXSynthN2, but uses a sound file to obtain the information analogous to Vector in the latter one. Besides, the function lifts the frequencies to the octave with the given by Int parameter number (better to use from the range [1..8]). The first Double argument from the range [0.01..1.0] is used as a maximum amplitude for obertones. If it is set to 1.0 the obertones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second Double argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.

For better usage the FilePath should be a filepath for the .wav file. The second String argument is used to define signs of the harmonics coefficients in the generated sounds.

For the unique for the String structure timbre

uniqOberTonesV :: Double -> String -> Vector (Double, Double) Source #

For the given frequency of the note it generates a Vector of the tuples, each one of which contains the harmonics' frequency and amplitude. For every given String structure of the uniqueness (see the documentation for mmsyn7s package and its Syllable module) it produces the unique timbre.

uniqOberSoXSynth :: Double -> String -> IO () Source #

For the given frequency and a Ukrainian text it generates a musical sound with the timbre obtained from the Ukrainian text (see the documentation for mmsyn7s package). The timbre for another given text usually differs, but can be the same. The last one is only if the uniqueness structure and length are the same for both String. Otherwise, they differs. This gives an opportunity to practically and quickly synthesize differently sounding intervals. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.

uniqOberSoXSynthN :: Int -> Double -> Double -> String -> String -> Vector Double -> IO () Source #

Function to create a melody for the given arguments. The first String is used to provide a rhythm. The second one -- to provide a timbre. The timbre for another given text usually differs, but can be the same. This gives an opportunity to practically and quickly synthesize differently sounding intervals. The first Double argument from the range [0.01..1.0] is used as a maximum amplitude for obertones. If it is set to 1.0 the obertones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The main component of the sound is in the given octave with a number given by Int parameter. Besides, another main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. The second Double argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.

For the unique for the String structure timbre with different signs for harmonics coefficients

uniqOberTonesV2 :: Double -> String -> String -> Vector (Double, Double) Source #

For the given frequency of the note it generates a Vector of the tuples, each one of which contains the harmonics' frequency and amplitude. For every given first String argument structure of the uniqueness (see the documentation for mmsyn7s package and its Syllable module) it produces the unique timbre. The second String is used to produce the signs for harmonics coefficients.

uniqOberSoXSynth2 :: Double -> String -> String -> IO () Source #

For the given frequency and a Ukrainian text it generates a musical sound with the timbre obtained from the Ukrainian text (see the documentation for mmsyn7s package). The timbre for another given text usually differs, but can be the same. The last one is only if the uniqueness structure and length are the same for both String. Otherwise, they differs. This gives an opportunity to practically and quickly synthesize differently sounding intervals. The main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten. The second String argument is used to define signs for the harmonics coefficients for obertones.

uniqOberSoXSynthN3 :: Int -> Double -> Double -> String -> String -> String -> Vector Double -> IO () Source #

Function to create a melody for the given arguments. The first String is used to provide a rhythm. The second one -- to provide a timbre. The timbre for another given text usually differs, but can be the same. This gives an opportunity to practically and quickly synthesize differently sounding intervals. The first Double argument from the range [0.01..1.0] is used as a maximum amplitude for obertones. If it is set to 1.0 the obertones amplitudes are just maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The main component of the sound is in the given octave with a number given by Int parameter. Besides, another main component of the sound includes the lower pure quint, which can be in the same octave or in the one with the number lower by one. The second Double argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten. The third String argument is used to define signs of the harmonics coefficients in the generated sounds.

Uses a file for information

uniqOberSoXSynthNGen :: FilePath -> Int -> Double -> Double -> String -> String -> IO () Source #

Similar to uniqOberSoXSynthN, but uses a sound file to obtain the information analogous to Vector in the latter one. Besides, the function lifts the frequencies to the octave with the given by Int parameter number (better to use from the range [1..8]). The first Double argument from the range [0.01..1.0] is used as a maximum amplitude for obertones. If it is set to 1.0 the obertones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second Double argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.

For better usage the FilePath should be a filepath for the .wav file.

uniqOberSoXSynthNGen3 :: FilePath -> Int -> Double -> Double -> String -> String -> String -> IO () Source #

Similar to uniqOberSoXSynthN, but uses a sound file to obtain the information analogous to Vector in the latter one. Besides, the function lifts the frequencies to the octave with the given by Int parameter number (better to use from the range [1..8]). The first Double argument from the range [0.01..1.0] is used as a maximum amplitude for obertones. If it is set to 1.0 the obertones amplitudes are just the maximum ones, otherwise they are multiplied by the parameter and this results in their becoming more silent ones. The second Double argument is a basic sound duration. The default one is 0.5 (second). Please, check before executing whether there is no "x.wav", "test*", "result*" and "end.wav" files in the current directory, because they can be overwritten.

For better usage the FilePath should be a filepath for the .wav file. The third String argument is used to define signs of the harmonics coefficients in the generated sounds.

Work with octaves

octavesT :: Vector (Double, Double) Source #

Returns a Vector of tuples with the lowest and highest frequencies for the notes in the octaves.

octaveUp :: Double -> Double Source #

Returns an analogous note in the higher octave (its frequency in Hz).

octaveDown :: Double -> Double Source #

Returns an analogous note in the lower octave (its frequency in Hz).

whichOctave :: Double -> Maybe Int Source #

Function can be used to determine to which octave (in the American notation for the notes, this is a number in the note written form, e. g. for C4 this is 4) the frequency belongs (to be more exact, the closest note for the given frequency -- see closestNote taking into account its lower pure quint, which can lay in the lower by 1 octave). If it is not practical to determine the number, then the function returns Nothing.

putInOctave :: Int -> Double -> Maybe Double Source #

Function lifts the given frequency to the given number of the octave (in American notation, from 0 to 8). This number is an Int parameter. The function also takes into account the lower pure quint for the closest note. If it is not practical to determine the number, then the function returns Nothing.

putInOctaveV :: Int -> Vector Double -> Vector Double Source #

Function lifts the Vector of Double representing frequencies to the given octave with the Int number. Better to use numbers in the range [1..8]. The function also takes into account the lower pure quint for the obtained note behaviour. If it is not practical to determine the octave, the resulting frequency is omitted from the resulting Vector.

Auxiliary functions

notes :: Vector Double Source #

Vector of musical notes in Hz.

neighbourNotes :: Double -> Vector Double -> (Double, Double) Source #

Function returns either the nearest two musical notes if frequency is higher than one for C0 and lower than one for B8 or the nearest note duplicated in a tuple.

closestNote :: Double -> Double Source #

Returns the closest note to the given frequency in Hz.

pureQuintNote :: Double -> Double Source #

Returns a pure quint lower than the given note.

syllableStr :: Int -> String -> [Int] Source #

Function is used to generate a rhythm of the resulting file 'end.wav' from the Ukrainian text and a number of sounds either in the syllables or in the words without vowels.

signsFromString :: Int -> String -> Vector Int Source #

Additional function to produce signs from the given String of the Ukrainian text. Ukrainian vowels and voiced consonants gives "+" sign (+1), voiceless and sonorous consonants gives "-" sign (-1). Voiceless2 gives "0". Other symbols are not taken into account.

prependZeroes :: Int -> String -> String Source #

Additional function to prepend zeroes to the given String. The number of them are just that one to fulfill the length to the given Int parameter.